21.6 x 13.8 cm 174 pp. 1983 Irish literary Studies series (ISSN 0140-895X) volume 16
George Moore was considered during his lifetime to have been one of the supreme masters of prose style in the early years of the 20th century, and he was renowned for rewriting his books as his style developed. His many famous works include Hail and Farewell!, The Lake, A Drama in Muslin (rewritten as Muslin), Evelyn Innes, Esther Waters, The Brook Kerith and A Story Teller's Holiday, though many would immediately call to mind others of his oeuvre.
Moore died in January 1933 and this collection was brought together to celebrate the fiftieth anniversary of his death. The essays (in order of appearance in the book) are
'George Moore, a reappraisal' (Janet Egleson Dunleavy);
'Moore Hall, 1952' (Richard J.Byrne);
'George Moore's Paris' (Jane Crisler);
'George Moore's Dublin' (James Liddy);
'Private Moore, Public Moore' (Robert Stephen Becker);
'George Moore's Medievalism' (Gareth W. Dunleavy);
'The Moore-Joyce Nexus' (Patrick A.McCarthy);
'George Moore and Samuel Beckett' (Melvin J. Friedman);
'Collecting Moore' (Edwin Gilcher).
To these are added a collection of 17 portraits, in life and caricature, of George Moore, and an appendix 'Some Bibliographical Notes' by Edwin Gilcher, in which he adds to the information he published in his 1970 Bibliography.