64pp. 25.0 x 22.0 cm illus. in colour and monochrome
This book tells the fascinating history of the plans to build an innovative theatre in Samuel Beckett’s name in Oxford, the site by St Peter’s College, the designs and the problems. It is a narrative which takes in artists such as Francis Bacon and Henry Moore, famed architects Norman Foster and Richard Buckminster Fuller, politicians and royalty including Edward Heath, Richard Kennedy and Prince Charles, as well as a range of playwrights, composers, actors and directors (including Benjamin Britten, Richard Burton, Peter Hall, John Osborne, Harold Pinter, John Piper, Kathleen Raine, Sir Herbert Read, to name a few).
Beckett’s influence upon British theatre and culture is often dispersed, refracted. A Dream and its Legacies reveals a number of surprising, interwoven histories, and shows how such histories also have the power to inform, even drastically change, how we read certain of Beckett’s texts. The book includes a collection of previously unpublished letters by Samuel Beckett.
Stage 1: The Matthews Building
Stage 2: The Nuclear Submarine
What do a Henry Moore Sculpture Garden, Lawrence of Arabia's School and a Car-Park all have in Common?
Epilogue: The Oxford Samuel Beckett Theatre Trust Award and Other Repercussions
Appendix: Beckett-Warner Correspondence
In his lecture given at the Princess Grace Irish Library, Monaco, in September 1985, Professor Glanville Price surveys relations between Ireland and the other Celtic nations from prehistoric times to the late twentieth century. The lecture is supplemented by an up-to-date bibliography of some 500 items compiled by Morfydd E.Owen that will serve as an introduction to the study of such fields as the archaeology, history and art of the ancient Celts and the history, languages, literature and folklore of the modern Celtic nations (Ireland, Scotland, the Isle of Man, Wales, Cornwall and Brittany).More info →
Illustrated by Joyce Dennys.
With a prefatory note by Maurice Collis
19.0 x 13.5 cm. 128 pp. 1978 (reduced facsimile of first 1970 hardcover edition)
Lady Gregory was the cornerstone of the Irish Literary Revival in the first quarter of the century. At Coole Park in Co. Galway she was host to many literary figures and painters of the time: W. B. Yeats of course, J. M. Synge, Bernard Shaw, Douglas Hyde, A. E. (George W. Russell), Sean O'Casey, John Masefield, George Moore, and among the painters, J. B. Yeats the elder, Jack B. Yeats and Augustus John.
As well as spending a large part of her time as hostess of Coole, being a prolific author and playwright, a Director of the Abbey Theatre, the chief campaigner for the return of the Lane Pictures to Dublin, and an excellent landlord, she is remembered as a great personality.
This book is written by one of her grandchildren, Anne, who, with her brother and sister, was born and brought up at Coole, and in it she gives a new dimension to what we know of Lady Gregory and her guests.
As Maurice Collis writes in his Prefatory Note, ‘The narrative is Anne Gregory's recollection of what living at Coole with her grandmother was like. Her account is very cleverly constructed. The stature of Lady Gregory is subtly increased. She was a wonderful woman and a wonderful grandmother.’
'One of the most delightful books I have ever read ... a truly lovable book.' Gabriel Fallon in The Evening Press
'A charming book and Joyce Dennys's pictures are a delight.’ The Spectator
‘a MUST for children of ALL ages.' Sunday Independent
‘The book shows us the great through a child's eyes, skilfully, wittily, and sometimes surprisingly.' British Book News
Selected Prose & Related Documents
336 pp. 23.4 x 13.5 cm illus. in colour and monochrome
Poet of the Second World War and peacetime dramatist, Francis Warner was 75 this year (2012). This, the first selection from his prose, gives readers of his work some indication of the historical and intellectual background from which his poetry has sprung: of 'the giant race before the flood' who lived on to help shape Britain's post-war imagination.
Starting with memories of the Blitz and his poem 'Blitz Requiem', Warner recalls his schooldays at Christ's Hospital, Horsham, recovering from six years of war, and the role played by music.
He writes of his friends: 'Henry Chadwick: Musician', Kathleen Raine as fellow poet, C. S. Lewis and the Psalms, Henry Moore, Francis Bacon, Edmond Blunden, and Samuel Beckett, reproducing the manuscripts off two short plays Beckett discussed with and gave to him. Other subjects include W. B. Yeats, Benjamin Britten and the Japanese Noh plays, Samuel Palmer as poet, and Hugh Wybrew's Liturgical Texts of the Orthodox Church.
The book concludes with 'Francis Warner as Musician in Performance' an illustrative CD with music by Honegger, Vaughan Williams, and Warner's collaborator the composer and organist David Goode: and Stephen Cleobury conducting the Choir of King's College Cambridge singing one of their anthems.
Francis Warner DLitt, Hon. DMus, is Emeritus Fellow of St Peter's College, Oxford, and Honorary Fellow of St Catharine's College, Cambridge.
Armageddon and Faith: a Survivor's Meditation on the Blitz, 1940-45
Remembrance Sunday Sermon, King's College Chapel, Cambridge, 2011
Four War Sonnets
Christ's Hospital Three and Sixty Years Ago
Henry Chadwick: Musician
The Song that is Christmas
A Cambridge Friendship: Kathleen Raine and Francis Warner
C. S. Lewis and the Revision of the Psalter
A Blessing on C. S. Lewis's home in Oxford, The Kilns
Foreword to Hugh Wybrew: Liturgical Texts of the Orthodox Church
The Bones and the Flesh: Henry Moore and Francis Bacon
Samuel Palmer's Poem 'The Sorceress'
James Joyce's Poetry
J. M. Synge's Poetry
Edmund Blunden's Pastoral Poetry
Richard Wall's rondeau cycle In Aliquot Parts
Japanese Noh plays and W. B. Yeats, Benjamin Britten and Samuel Beckett
Manuscript of Beckett's Breath
The Absence of Nationalism in the Work of Samuel Beckett
Manuscript of Beckett's Sans, and covering Letter
A Cup of Coffee in Paris, by Penelope Warner
Francis Warner as a Musician in the1950s, by Bernard Martin
Compact disc: Francis Warner as Musician in Performance
Anthem for Christ the King
20.9 x 14.9 cm. viii, 143 pp. illustrated with photographs and maps 1992
Published by the Portobello Press, the author's own press.
Valentia is in south west Kerry, next parish America. In the 19th century it was very different from other west coast islands because it had three major industries: fishing, slate-quarrying, and communications. These blended to form a unique social mix. As well as farmers and fishermen, the island had quarrymen, engineers, cable technicians, radio officers, meteorological staff, and a resident landlord, the Knight of Kerry. Valentia, a Different Irish Island is an account of their lives.
Nellie O'Cleirigh is also author of Carrickmacross Lace and, with Veronica Rowe, Limerick Lace, both published by Colin Smythe Ltd.
20.6 x 22.1 cm 335 pp. 80 colour and 220 b/w illus. 1994
'The Book of Aran is a handsomely produced and generously illustrated update on Aran as seen by the multi-faceted eye of scholarship." Irish Times
'The Book of Aran has managed to convey some of the magic, isolation and cultural richness that island communities often have.' Irish Press
'The book is beautifully produced and the text achieves that happy state of being scholarly while eminently readable. The selection of pictures is superb. At the very least, the book is a minor publishing triumph. Don't even contemplate going to Aran without it." Evening Press
Over the centuries many people have felt the attraction of the landscape of the Aran Islands, with its impressive monuments that go back thousands of years, its distinctive culture that offers glimpses of a rich and distinctive pattern of life and a people whose island isolation forged a sense of independence and endurance. The Book of Aran is the first publication to deal with all the many different aspects of the three islands of Inis Mór, Inis Meáin and Inis Oírr, including the natural environment, archaeology and history and the cultural heritage of the islands. It is aimed at the general reader who wants to gain a deeper understanding of one of the most intriguing landscapes in Europe.
Contributors: John Feehan, Cilian Roden, Michael O'Connell, Gordon D'Arcy, J.W. O'Connell, John Waddell, Paul Walsh, John de Courcy Ireland, Anne O'Dowd, Dara Ó Conoala, Pádraigín Clancy, Lelia Doolan, James Duran, Anne Korff, Joe McMahon, Patrick F. Sheeran and Pádraig Standún.
x, 252pp. 21.6cm
For decades, commentators on nineteenth-century Irish literature or history have routinely mentioned the significance of the Dublin University Magazine. Published monthly from January 1833 to December 1877, the DUM attracted as its contributors – and in several cases its editors – nearly every major Irish writer from this period. Prior to the publication of this work, however, there has been no systematic, book-length discussion of the magazine’s entire career.
In this study, Wayne Hall traces the dual nature of the magazine, its attention to both England and Ireland, which helps us to understand the sometimes guilty and reluctant, sometimes celebratory and passionate, union of these different cultural traditions and values. The DUM expressed a complex brand of Irish national identity that defines itself partly in cultural and partly in political terms.
In seeking its own balance between excluding and including, between culture and politics, the DUM developed one main pattern in its pages: the magazine’s political commentary stakes out the ideological ground with varying degrees of rigidity and exclusivity, while its literary contributions expand the magazine’s total scope to embrace a much wider and more generous vision of ‘Irishness’.
Within the terms and tensions of the journalistic dialogue, then, readers can see the political and the literary values jostling against each other. The magazine serves as a detailed and thorough record of conservative political thought in the nineteenth century, and also shows that Irish political events have drawn much of their shape from the literature, even as that literature was being shaped in turn by politics.
Wayne E. Hall is an associate dean at the McMicken College of Arts & Sciences at the University of Cincinnati, as well as a faculty member of the Department of English and Comparative Literature. His previous book was Shadowy Heroes: Irish Literature in the 1890s.
19.0 x 15.5 cm.
Women of Ireland, the first comprehensive biographic dictionary of its kind, documents the rich and varied contributions woomen have made to the shaping of Irish history and culture. The book includes biographies of Irish women from earliest times up to the present, many of them ignored by historians until now. With its wealth of information, its accessible style and the attractive selection of illustrations, this reference work will serve general readers as well as students, particuarly those interested in history and women's studies.More info →
21.6 x 13.8 cm. x, 252 pp. 2000
For generations in Northern Ireland, unionist and nationalist communities have been frozen in isolation from one another, preferring demonstrations of communal solidarity to negotiation and cooperation. This absorbing book was published in 2000, and therefore reflects the situation at that time, and examines the many attempts to resolve the conflict in Northern Ireland, beginning with the civil rights movement and Prime Minister Terence O'Neill's reform efforts in the mid-1960s, continuing up to the Good Friday Agreement of 1998. It finds that early attempts at peacemaking suggested only mechanical political solutions, which only deepened the antagonistic pattern of relationships. It was not until these existing relationships were challenged, most crucially through the Anglo-Irish agreement of 1985 and subsequent initiatives jointly determined by the British and Irish governments, that the main parties began to participate in efforts to create a democratic peace. The authors contended that a political and cultural process was now in motion that gave peace its first real chance in Northern Ireland's history. Fifteen years on, we can see how much the situation in Northern Ireland has changed and what problems still remain.
More info →
The First Edition of 1876, with an Introduction and Commentary by Brian Arkins
From the mid-eighteenth century onwards, people from Britain and Ireland began to visit Greece, mainly with a view to investigating the material remains of the ancient Greek past. Long before he gained eminence as Provost of Trinity College Dublin, and as a Classicist, John Pentland Mahaffy had been hired to accompany a Cambridge undergraduate, William Goulding, around Greece and his account of those travels was published as Rambles and Studies in Greece in 1876.
In it Mahaffy describes a world wildly different from that which greets the modern visitor – at least in the methods of transport and ease (or lack of it) of getting from one place to another and the questions of where to stay. It was almost as alien to visitors from the British Isles then as it would be for visitors of this century visiting the Ireland of the nineteenth.
Ancient Greece was the same as now: the beauty of the landscape endures, but then rivalries between local museums ensured that there were inadequate records of the country’s antiquities, and no central record of what had actually been discovered, so travellers were often embarking on a journey of discovery, finding unrecorded inscriptions, and more importantly entire buildings, while occasional meetings with local brigands in certain parts of the country added a sense of danger and adventure.
Mahaffy’s work was therefore an eye-opener for the armchair traveller, and in Britain it went through five editions by 1907, each enlarged and revised, as well as being published in the USA in 1892, and in 1913 Macmillan New York published what they described as the seventh edition. The first American edition, published by Henry Coates in 1900, contained a number of contemporary photographs that had not appeared in earlier editions, and a number of these are reproduced here, with engravings that appeared in the first edition.
As the editor of the present edition, Professor Brian Arkins, notes: ‘This new edition of Mahaffy’s Rambles and Studies in Greece reprints the text of the first edition of 1876, in which the author states that ‘It is to me a cherished object to make English-speaking people intimate with the life of the old Greeks’. Mahaffy achieves that object with great éclat, so that his book functioned at the time – and still functions – as an excellent introduction to the history, archaeology, landscape, literature, visual art and music of ancient Greece. So although Mahaffy’s book went into seven editions … the first edition of 1876 has a freshness and vividness that the material added in later editions serves only to obscure; for that reason, the first edition is here reprinted, and provided with a full Commentary.’ It is as interesting now to the modern reader as it was to those reading it over 130 years ago.
Brian Arkins is Professor Emeritus of Classics at the National University of Ireland, Galway, and one of the Directors of the Irish Institute of Hellenic Studies in Athens. He was educated at Clongowes Wood College and at University College Dublin, where he obtained an MA in Classics and a PhD in Latin. He is the author of eleven books of criticism, including three on Latin poetry and four on Greek and Roman themes in modern Irish Literature. His most recent book is What Shakespeare Stole from Rome (2012).
List of Illustrations
Mahaffy: Classicist and Philhellene. By Brian Arkins
I. Introduction – First Impressions of the Coast
II. General Impressions of Athens and Attica
III. Athens – The Museums – The Tombs
IV. The Acropolis of Athens
V. Excursions in Attica – Phalerum – Laurium
VI. Excursions in Attica – Sunium – Marathon – Eleusis
VII. From Athens to Thebes – The Passes of Mount Cithaeron, Eleutherae, Plataea
VIII. The Plain of Orchomenos, Lebadea, Chaeronea
IX. Arachova – Delphi – The Bay of Cirrha
X. Corinth, Mycenae, Tiryns
XI. Argos, Nauplia, and Coast of Argolis
XII. Greek Music and Painting
Commentary. By Brian Arkins
Edited and Introduced by Peter Bander van Duren
A historical walk with the Prefect of the Pontifical Household through the treasures of papal heraldry
24.8 x 18.8 cm. 285 pp. + nearly 400 b/w illus. with the text and 24 pp. with 54 colour illus.
Captions to all illustrations are in English, Italian and German
In the late 1960s Cardinal Martin conceived the idea of having an authoritative heraldic guide for the Vatican where hundreds of coats of arms date back to Pope Eugene IV (1431-1447) the earliest armorial bearings of popes who resided in the Vatican. When Pope Paul VI had consecrated him Bishop of Neapolis in Palaestina during the papal visit to the Holy Land in 1964 and appointed him the first Prefect of the Pontifical Court, Monsignor Martin spent his free time writing profusely illustrated articles for the Holy See's Sunday newspaper L'Osservatore della Domenica on heraldry in the Vatican.
At that time he already had lived in the Vatican for over thirty years. When Pope John Paul II ascended the See of St. Peter in 1978 and, like his immediate predecessor, John Paul I, appointed him Prefect of the Papal Household and the Pontifical Court, Monsignor Martin had himself become a unique figure in the history of heraldry. He was the first Prelate of the Roman Church who was able to impale his personal coat of arms with that of the three Popes under whom he had served as Prefect of the Pontifical Court.
When Mons. Martin approached me in 1983 about the possibility of producing a book on heraldry in the Vatican, he had lived over fifty years in the Vatican. His knowledge about the Vatican and the people who had lived there was phenomenal. After the book had been published, several prominent members of the Roman Curia suggested that the book's title was in many respects a misnomer. All the Popes and other famous residents of the Apostolic Palace were profusely represented with their armorial bearings, but Monsignor Martin, who personally had served six Popes, added countless anecdotes and curiosities about people and places inside the Vatican. The book reminds one of the succinct and sometimes hilarious accounts in Aubrey's Brief Lives. For example, he recalls his first years in the Vatican when he worked in the Papal Secretariat of State of Pope Pius XI, under whom the present Vatican City State came into existence. Pope Pius XI checked the signatures of all the members in his Secretariat, and anybody whose signature he considered illegible was dismissed from service in the Secretariat of State.
The idiosyncrasies of many popes and cardinals resident in the Vatican during the last 550 years were often expressed in heraldic ornaments, on ceilings, walls and fountains. Bernini placed statues of 140 Popes, Cardinals and Bishops who had lived in the Vatican on his colonnades of St. Peter's Square. Monsignor Martin knew who everyone was, their life stories and why Bernini had chosen them to be immortalised.
We worked on his book for four years. I have never ceased to be amazed by Cardinal Martin's phenomenal memory. As Prefect of the Pontifical Household, he was always at the Pope's side. Sometimes I was privileged to be present when he introduced visitors to the Pope; he had this charming way of briefing the Holy Father not only on who the person was, but always with personal information about the visitor. Everybody was astonished at the ease with which the Pope walked among the many visitors and seemed to know everybody personally. Few realised that the Pope's Prefect was that walking encyclopedia on which not only the Pope but countless Cardinals and members of the Curia could rely to provide accurate and detailed information. As far as the Vatican Palaces were concerned, he knew of rooms and entire suites nobody but he had entered since the days of Pope Pius IX (1846-1878). He found heraldic curiosities nobody had seen for hundreds of years. Cardinal Martin, more than any prelate who had lived in the Vatican has enriched the wealth of human knowledge of heraldry in the Vatican.
Without fear of contradiction I can say that Cardinal Jacques Martin was one of the most loved men in the Vatican, and the warmth of his love and care for others permeated the Apostolic palace for many decades. Cardinal Martin's love and devotion to the successors of St. Peter was unparalleled. His sense of humour was infectious, and he could speak about the follies of some illustrious residents over the last 550 years without malice. Coats of Arms came to life and spoke to those who were fortunate to be guided by him.
HERALDRY IN THE VATICAN is in a manner of speaking a legacy Cardinal Martin left behind when he died in 1992. It is far more than a guide to the hundreds of heraldic emblems in the Vatican or a history of their bearers. It brings alive 500 years of one of the most fascinating places on earth. The author himself had become part of the rich tapestry of the Vatican.
This is not just a book for any serious scholar of heraldry or Vatican history; it is an indispensable companion for anybody fortunate enough to visit Rome and the Vatican, and it will compensate those who cannot do so.
Peter Bander van DurenMore info →
23.4 x 15.5 cm. 189 pp. incl. over 100 illus.
This book contains Revd Geoffrey Edmonds’ work, last published by this company in 1968, and Dr Audrey Baker’s hitherto unpublished history of Bulstrode, past home of Judge Jeffreys, the Dukes of Portland and then the Dukes of Somerset.
While Chalfont St Peter dates back to before the Norman Conquest, and Bulstrode to the time of the Knights Templar, the parish of Gerrards Cross is a newly formed entity, being carved out of five neighbouring parishes, and greatly expanded following the 1906 opening of the London to High Wycombe Great Western & Great Central Joint Railway line which passed through the village.
Through their separate histories both Dr Baker and the Revd Edmonds chart the history of the locality through the centuries, showing how it has evolved from Anglo-Saxon and medieval times, through the Reformation, the Cromwellian period and Restoration, the Hanoverian and Victorian eras to the 20th century, and how the great families who came to live here gained or lost power, rose, fell or moved on, as well as the creation of Gerrards Cross over the past century.
In addition to the hundred or so illustrations within the book (including a number showing the construction of the railway through Gerrards Cross), the cover reproduces a watercolour of Chalfont Park by J.M.W.Turner, that was unknown until 2002.
The index features every person, place and house mentioned by the authors so residents can see what parts of the book relate to their home or the part of the villages in which they live
The Revd Geoffrey Edmonds (1902-75) was born in Rochester, Kent. He obtained an MA degree at Pembroke College, Cambridge, before studying Divinity at Mansfield College, Oxford. He was Congregational Minister at Oxted, Surrey, and in 1950 moved to Gerrards Cross, where he was Minister until his retirement in 1972, and where he continued to live until his death. Apart from being a keen chess player, and a keen historian, he was very interested in the activities of the village, being a Trustee of the Gerrards Cross Memorial Centre, a Governor of the local school and a Rotarian.
After reading Modern History at St Hilda’s College, Oxford, Audrey Baker studied History of Art at the Courtauld Institute and received her doctorate from the University of London. She specialised in medieval art, and published a number of long and detailed articles in major periodicals such Archaeologia, and the Archaeological Journal. She sometimes collaborated with Dr E. Clive Rouse. In the last years of her life she concentrated on local history and published various articles in The Records of Buckinghamshire, the journal of the Buckinghamshire Archaeological Society. Dr Baker and the Revd Geoffrey Edmonds were co-founders of the Chalfont St Peter and Gerrards Cross Local History Society.More info →
Edited by Alan Price
paperback 21.4 cm.
J.M.Synge died in 1909 and The Works of John M. Synge were published in four volumes by Maunsel & Co., Dublin, in 1910. Since that time, with the exception of a few minor verses and one or two fragments of prose, the canon of his work has remained unaltered. Nevertheless, much unpublished material exists, for the most part of great interest and significance for the understanding of Synge's methods of work and development. This material, including early drafts of the plays, notebooks, poems, and fragments of poetic drama, has now been thoroughly explored in order to create this definitive edition, first published by Oxford University Press 1962-68, which not only collects together all that is of significance in his printed and in his unprinted work, but also, by a careful use of worksheets and early drafts, indicates much of the process of creation which occurred before the production of the printed page. The Collected Works is in four volumes, under the general editorship of the late Professor Robin Skelton, of the University of Victoria, British Columbia, who began the series with his edition of the poems and translations.
The second volume, edited by the late Dr Alan Price, of The Queen's University, Belfast, author of Synge and Anglo-Irish Drama, assembles all Synge's prose writings of any merit or interest. Over half of it consists of a reprint of The Aran Islands, and In Wicklow, West Kerry and Connemara, checked and supplemented where necessary by collation with Synge's own manuscripts and proofs. About a quarter consists of articles and reviews not previously collected, and the rest, including most of Part One, was never published before. Thus the prose of Synge can here be seen as a whole and should lead to a deeper understanding of both the writer and the Anglo-Irish literary revival. Thirty-five drawings by Jack B. Yeats are included.
These volumes were published in 1982 by arrangement with Oxford University Press.More info →
19.0 x 13.0 cm. viii, 151 pp.  1990
W.B.Yeats (1865-1939) published his first volume of poetry in 1889. Deeply influenced by Spiritualism and Celtic mythology, he was a crucial figure in the Irish cultural revival of the 1890s. Under the influence of Maud Gonne he became involved in nationalist politics, but the Philistinism of the emerging Ireland repelled him, and he gradually drew back from public affairs. He had been a co-founder, with J.M.Synge and Lady Gregory, of the Abbey Theatre in 1904, and remained a director until the end of his life. His increasingly sceptical and pessimistic views on Ireland were temporarily reversed by the 1916 Rising. Out of the confusion and tensions of the following decade his greatest poetry developed: almost uniquely among major poets, his outstanding work was written in the second half of his life. In 1917 he had married George Hyde-Lees; they had two children. He died in the South of France, and in 1948 his body was brought back to Ireland and re-interred in Drumcliffe Churchyard, Co.Sligo.
This is a revised and enlarged edition of the work first published in 1983. On its first appearance it received exceptional reviews:
'Perceptive, honest and stimulating, subtly educating the uninformed reader in the best ways to approach a study of Yeats's verse, plays and letters.'
Richard Allen Cave in British Book News
'A remarkable achievement. He has succeeded in presenting a rational, sensitive account of the life of Ireland's most famous poet....Well worth reading by the scholar and the general reader.'
Ireland of the Welcomes
'A tour de force. Lucid and incisive, it gives us a convincing picture of Yeats's life in all its complexities, and it does so with insight and sympathy.'
A. Norman Jeffares in The Yorkshire Post
`A remarkable synthesis of a huge topic, written with enthusiasm and flair and ending with a splendid essay on the poet's "close companions", his great capacity for friendship and for converting the experience into poetry.'
Thomas Kilroy in The Irish Times
21.6 x 13.8 cm.
Kahlil Gibran of Lebanon is a guide for all those interested in the life and work of Kahlil Gibran who want further information, be they general readers or scholars.
It explains the fascinating world of the author of The Prophet which is one of the most celebrated works of the twentieth century. Modelled on Gibran’s own writings, simple and concise in presentation, the first half of this work is devoted to significant events in Gibran’s life. It provides the reader with the necessary back ground to his writing and painting, with particular reference to the individuals and and works that have been major influences. These are further explored in the second half, which is a critical study of Gibran’s work and contribution to the literature of the world.
Suheil died in September 2015. Obituaries can be found at http://ysnews.com/news/2015/09/suheil-badi-bushrui and at http://www.baltimoresun.com/news/obituaries/bs-md-ob-suheil-bushrui-20150927-story.html, https://arabhyphen.wordpress.com/2015/09/10/suheil-badi-bushrui-passes-away-1929-2015/ and elsewhere.
PART 1, HIS LIFE: Family background and early years - Kahlil Gibran and Mary Haskell - Early career in Boston, Paris and New York - Maturity - Last years.
PART 2, HIS WORK: Early Arabic writings - Influences and parallels in the mature works - Mature works up to The Prophet - The Prophet - Last works.
21.6 x 13.8 cm. Volume IV of The Modern Irish Drama series
The Rise of the Realists describes and documents Irish theatrical activity in the years of 1911 through 1915. In 1911, Synge’s last drama, the poetic Deirdre of the Sorrows, was produced, but a new group of realistic writers was emerging who were to shape the drama of the future – among them, St. John Ervine, Lennox Robinson and T. C. Murray.
These years also saw the Abbey Theatre touring three times to America, and being greeted by a riot in New York and by the arrest of the players in Philadelphia. Meanwhile, at home in Ireland, in Westport, George A. Birmingham’s General John Regan was greeted by a riot much more ferocious than that over Synge’s Playboy.
In Cork a new theatre group, the Cork Dramatic Society, produced the first work of Daniel Corkery, Terence MacSwiney, J. Bernard MacCarthy, Robinson, Murray and others. In Dublin, the Theatre of Ireland was superseded by the Irish Theatre in Hardwicke Street, which produced Edward Martyn, Thomas and John MacDonagh, Eimar O’Duffy and many continental plays, thereby paving the way for the Dublin Drama League and ultimately for the lasting work of the Gate Theatre.
For the first time, these neglected years of the modern Irish drama are thoroughly investigated.
20.8 x 13.8 cm. 80 pp. 1995
This is a book about Healing. Not ‘Faith Healing’, as Matthew refuses to call it that. As he writes, ‘The idea that healing only works if you believe in it is simply not true! Healing can work on a sceptical person yet sometimes fail to help a believer. Healing also works in test-tubes in laboratories, as well as on animals and brain-damaged children. It cannot be said that these results are brought about by psychological factors, faith or placebo. There is no faith required.’
Contents: Introduction – Healing in the Laboratory – The Healing Experience – Healing Ourselves.
We distribute this book in Britain for Eikstein Publishers, of Øyslebø, Norway.More info →
18.5 x 23.5 cm, 120 pp. 94 b&w photographs
A record, in image and word, of a coastal community's social and economic life, its traditions and the changes it has experienced since the late 19th century. The volume includes photographs taken between the 1890s and the 1960s which offer glimpses into an era when Kinvara was a busy port and market town, yet working and living at a slower pace – that of horse carts, sailing boats and manual labour. The explanatory captions which accompany the photographs contain details on folklore, traditions and local history. Quotes and anecdotes capture the wit and humour of the Kinvara people. The book's introduction places the town's development in a wider historical context.
'This book is first rate and recommended to all, even those who have never heard of Kinvara. A unique selection of historical photographs and a splendid compilation of locally sourced information. The photographs, spanning the period 1880 to 1960, reflect the lives of Kinvara's people before huge social and economic changes produced different moulds, imported patterns, new shadows for the same substance. This is a moving book.' Connacht Tribune
This book is full of information covered by the Kinvara Guide & Map. To go directly for information on the Kinvara Map Click Here
More info →
In this highly acclaimed biography, Lesley Whiteside traces the events and influences which shaped George Otto Simms's life, from his boyhood in Co. Donegal, through his education and early ministry in Ireland to his years as Bishop of Cork, Archbishop of Dublin, and finally Archbishop of Armagh. The author explores the academic and ecclesiastical aspects of his life, while much of the book is concerned with the sometimes difficult years in Dublin and Armagh, with ecumenical progress and the tragedy of sectarian violence in Northern Ireland.
`This is a well deserved biography and it has proved worthy of its subject'
Church TimesMore info →
Twenty-five Views in Colour Aquatint
10.7 x 14.8 cm landscape xi,  pp. 25 full colour prints
Georgian Dublin is a pocket-sized edition of Malton's superb colour aquatints which show Dublin city in its finest age – the period in which the present layout of the city emerged and during which many of its classical buildings were erected. These lively and colourful prints open a window to the past and reveal scene after scene which, with one exception, can still be visited today. The views range from the great courtyard of Dublin Castle, past Gandon's riverfront masterpieces, the Custom House and the Four Courts, to the simple street scene at Capel Street bridge, peopled with the Dubliners of two centuries ago.
Malton's work originally appeared in the final decade of the eighteenth century and was highly praised on publication. He wrote in his announcement of the work that he was 'struck with admiration at the beauty of the capital of Ireland and was anxious to make a display of it to the world'.