21.6 x 13.8 cm. 774 pp. with four illustrations by Grace Plunkett
Hail and Farewell! can be considered George Moore’s masterpiece. Since it was first published, it has coloured many people’s view of the Irish Literary Revival and its members – W.B.Yeats, Lady Gregory, George W. Russell (AE), Edward Martyn, Sir Horace Plunkett, and J.M.Synge.
It is a prodigious work, containing Moore’s assessment of the Irish Literary Revival, the Abbey Theatre and its predecessors, as well as remarkable insights not only into the literature and tastes in painting (particularly French Impressionism) and music (the influence of Wagner and the revival of polyphony) at the beginning of the twentieth century, but into the social and religious background to the Irish scene at that time – all viewed through his eyes, the eyes not only of an Irish country gentleman, but of a European man of letters. First published 1911-14, Moore revised it for the second edition (1925), and the text remained the same for the Uniform (1933) and Ebury (1937) Editions. This is the first edition to appear since then, and uses the most recent text.
At the time of its first publication most of the references were readily understood by George Moore’s readers, but they are now obscure: much is lost to the modern reader as a result of a lack of intimate knowledge of the people and their times. Professor Cave has tracked down all the points and references that would be obscure today, often even to the student of that period, and has produced detailed notes on them. Thus the reader is able to understand all Moore’s references and his modifications of the truth and chronological sequences. Light is also thrown on many obscure pseudonyms and passages in the text through more than 600 notes and a comprehensive index provided by Professor Cave.
Many critics have considered that of all the works of Anglo-Irish Literature that deserve to be kept permanently in print, their first choice would be Hail and Farewell!. This edition of such a monumental work is therefore is of the greatest interest and use to scholar and general reader alike.
Richard Allen Cave, Emeritus Professor of Drama and Theatre Arts at Royal Holloway in the University of London, has published extensively in the fields of renaissance drama (Jonson, Webster, Brome), modern English and Irish theatre (Wilde, Yeats, Pinter, Beckett, Friel, McGuinness), dance (Ninette de Valois, Robert Helpmann), stage design (Charles Ricketts, Robert Gregory) and direction (Terence Gray). Most recently, he devised and was General Editor of an AHRC-funded project to create an online edition of The Collected Plays of Richard Brome (2010), and published the monograph, Collaborations: Ninette de Valois and William Butler Yeats (2011). The Collected Brome is soon to be published in a more traditional book-format by Oxford University Press (2020). He has also edited the plays of Wilde, Yeats and T.C. Murray; and the manuscript versions of Yeats’s The King of the Great Clock Tower and A Full Moon in March. Professor Cave is a trained Feldenkrais practitioner who works on vocal techniques with professional actors and on extending movement skills with performers in physical theatre.More info →
21.6 x 13.8 cm. with 24 illus.
Hurriedly summoned from his English public school in November 1922, Erskine Childers was permitted by the Free State authorities to make one brief, final visit to his condemned father in the cells of Portobello Barracks, Dublin, at the height of the Civil War. Not surprisingly, such an emotional ordeal had a profound and lasting impact on the sixteen-year-old boy, who had promised his father in the death-cell to shake hands with and forgive every Minister in the Provisional Government who were responsible for his death, and that if he entered Irish politics himself he would never mention the execution in public, and do everything possible to ensure that the Childers name would become a healing memory.
A little over half a century later when that same schoolboy became President of Ireland he was universally regarded as a man of peace. His sudden death after only eighteen months in office brought the largest gathering of monarchs and rulers ever to assemble on Irish soil, to pay tribute to Erskine Childers in St. Patrick’s Cathedral, while people wept openly in the streets outside.
This work tells of the patient determination that nothing and no one would divert Erskine Childers from the exacting task he had promised to undertake, and of the very considerable contributions to Ireland that he was able to make in the process, in the various ministeries that he headed, and finally as the country’s first citizen, the fourth President of the Republic of Ireland.
Mr. Jack Lynch, Ireland’s premier from 1966-73, and 1977-79, has written a foreword for this biography.More info →
W. E. (‘Kits’) van Heyningen has had a many-sided career: born in South Africa, he arrived in England in 1934 to carry out research on bacterial toxins, first at the Sir William Dunn Institute of Biochemistry, Cambridge, and then at the Sir William Dunn School of Pathology, Oxford. There he joined Sir Howard Florey, and continued his research, on dysentery, tetanus, and cholera, which has taken him to many parts of the world.
Apart from his research work, he has taken an important part in the life of Oxford University, having served on the Hebdomadal Council, and the governing bodies of the Bodleian Library and the Ashmolean Museum, as well as playing a major role in the foundation of St. Cross College, of which he was the first Master.
In 1940 he married Ruth Treverton, a leading researcher on the biochemistry of the eye. They have a son who has followed in his parents’ scientific footsteps, a daughter who is an architect, and four grandchildren.
In The Key to Lockjaw Kits writes with clarity, compassion, and with humour, not only about his life but also his work and the subjects of his research, and, in so doing, sets the record straight on more than one popular misconception.
21.6 x 13.8 cm. xvi, 156 pp. 1991
These ten original tales, some dating from the 11th century, have been painstakingly unearthed and written up by Ronald Barnes. Several of these stories surfaced in Yorkshire, whence Welsh monks had fled during religious purges, and are published for the first time. These have been relatively unaltered by retelling over the centuries while others are attributed to bards who changed the story lines almost beyond recognition.
There was an abundance of other legends, too, many attributed to resourceful bards who, over the centuries, changed the story lines almost beyond recognition.
Some of the greatest legends, particularly those based upon proven historical facts, owe their survival to monks and others who fled to Yorkshire during religious purges. There they lay dormant and thus escaped the ravages of repetition.
Several of these wonder tales, dating from the 11th to 13th centuries, resurfaced in 1794 when they were recounted to a Yorkshire scholar in what is almost certainly their original form. Now they are retold once more, in print now for the first time. Included are:
The Legend of the Triple Sacrifice,
The Three Sisters of Ardudwy,
The Maidens of the Sea Marsh,
Roderick of Anglesea,
Mhaira and Madoc,
Owain Gwynedd's Silver Dagger,
The Lake of the Fair Ones,
The Dyn Hysbys,
The Legend of Beddgelert and
The Black Bull of Gwynedd.
During the second World War, while the author was seconded to the Indian Army, he became a regular contributor to The Illustrated Weekly, The Statesman, The Onlooker and The Times of India, winning the Literary Grand Prix in the Arts in Industry Exhibition. Throughout the campaign in Burma he commanded the Air Support Signals prior to serving in the 14th Army Staff, where he became interested in Indo-Celtic mythology.
After the war he returned to England to take up an Intelligence appointment on the Imperial General Staff. Later, in civilian life, he set up his own business which left little time for writing, until his retirement. He is adamant that he will never undertake another challenge like Great Legends of Wales, which took five years to research.More info →
Edited and Introduced by Peter Bander van Duren
A historical walk with the Prefect of the Pontifical Household through the treasures of papal heraldry
24.8 x 18.8 cm. 285 pp. + nearly 400 b/w illus. with the text and 24 pp. with 54 colour illus.
Captions to all illustrations are in English, Italian and German
In the late 1960s Cardinal Martin conceived the idea of having an authoritative heraldic guide for the Vatican where hundreds of coats of arms date back to Pope Eugene IV (1431-1447) the earliest armorial bearings of popes who resided in the Vatican. When Pope Paul VI had consecrated him Bishop of Neapolis in Palaestina during the papal visit to the Holy Land in 1964 and appointed him the first Prefect of the Pontifical Court, Monsignor Martin spent his free time writing profusely illustrated articles for the Holy See's Sunday newspaper L'Osservatore della Domenica on heraldry in the Vatican.
At that time he already had lived in the Vatican for over thirty years. When Pope John Paul II ascended the See of St. Peter in 1978 and, like his immediate predecessor, John Paul I, appointed him Prefect of the Papal Household and the Pontifical Court, Monsignor Martin had himself become a unique figure in the history of heraldry. He was the first Prelate of the Roman Church who was able to impale his personal coat of arms with that of the three Popes under whom he had served as Prefect of the Pontifical Court.
When Mons. Martin approached me in 1983 about the possibility of producing a book on heraldry in the Vatican, he had lived over fifty years in the Vatican. His knowledge about the Vatican and the people who had lived there was phenomenal. After the book had been published, several prominent members of the Roman Curia suggested that the book's title was in many respects a misnomer. All the Popes and other famous residents of the Apostolic Palace were profusely represented with their armorial bearings, but Monsignor Martin, who personally had served six Popes, added countless anecdotes and curiosities about people and places inside the Vatican. The book reminds one of the succinct and sometimes hilarious accounts in Aubrey's Brief Lives. For example, he recalls his first years in the Vatican when he worked in the Papal Secretariat of State of Pope Pius XI, under whom the present Vatican City State came into existence. Pope Pius XI checked the signatures of all the members in his Secretariat, and anybody whose signature he considered illegible was dismissed from service in the Secretariat of State.
The idiosyncrasies of many popes and cardinals resident in the Vatican during the last 550 years were often expressed in heraldic ornaments, on ceilings, walls and fountains. Bernini placed statues of 140 Popes, Cardinals and Bishops who had lived in the Vatican on his colonnades of St. Peter's Square. Monsignor Martin knew who everyone was, their life stories and why Bernini had chosen them to be immortalised.
We worked on his book for four years. I have never ceased to be amazed by Cardinal Martin's phenomenal memory. As Prefect of the Pontifical Household, he was always at the Pope's side. Sometimes I was privileged to be present when he introduced visitors to the Pope; he had this charming way of briefing the Holy Father not only on who the person was, but always with personal information about the visitor. Everybody was astonished at the ease with which the Pope walked among the many visitors and seemed to know everybody personally. Few realised that the Pope's Prefect was that walking encyclopedia on which not only the Pope but countless Cardinals and members of the Curia could rely to provide accurate and detailed information. As far as the Vatican Palaces were concerned, he knew of rooms and entire suites nobody but he had entered since the days of Pope Pius IX (1846-1878). He found heraldic curiosities nobody had seen for hundreds of years. Cardinal Martin, more than any prelate who had lived in the Vatican has enriched the wealth of human knowledge of heraldry in the Vatican.
Without fear of contradiction I can say that Cardinal Jacques Martin was one of the most loved men in the Vatican, and the warmth of his love and care for others permeated the Apostolic palace for many decades. Cardinal Martin's love and devotion to the successors of St. Peter was unparalleled. His sense of humour was infectious, and he could speak about the follies of some illustrious residents over the last 550 years without malice. Coats of Arms came to life and spoke to those who were fortunate to be guided by him.
HERALDRY IN THE VATICAN is in a manner of speaking a legacy Cardinal Martin left behind when he died in 1992. It is far more than a guide to the hundreds of heraldic emblems in the Vatican or a history of their bearers. It brings alive 500 years of one of the most fascinating places on earth. The author himself had become part of the rich tapestry of the Vatican.
This is not just a book for any serious scholar of heraldry or Vatican history; it is an indispensable companion for anybody fortunate enough to visit Rome and the Vatican, and it will compensate those who cannot do so.
Peter Bander van DurenMore info →
In the third and final volume of The Meaning of Life, Professor Whiteman, a mathematician and mystic (who will be celebrating his 100th birthday in November 2006) has completed the mammoth task he set himself, namely to incorporate his own mystical experiences into a world view. As he writes in the Preface, ‘What we are to consider here is the experience of the divine Reason (Logos) in everything of life, always working for the advancement of the good. The experience which gives or leads to this is today described as mystical. So here we study what has been said or depicted regarding the mystical, also the way to proceed for its attainment and development, and what the most notable teachers in the past have seen fit to declare.
‘This third volume on the “meaning of life” deals accordingly with the fruits of spiritual development in three chief ways. Firstly, every conclusion reached is based on and in accord with the mystical and psychical experience granted to me over the course of about eighty years (some even earlier). . . . Secondly, there is need an intensive study of ancient scriptures, which I have felt obliged to study in the original languages: Vedic, Sanskrit, Pali, Hebrew and Greek [as] translations of these scriptures have almost invariably been made by scholars lacking mystical experience. . . . Knowledge of quite another kind is also needed, philosophical and indeed mathematical in character, if the consistent rational development of objective phenomena in other-world states of life (and even in the physical world) is to be understood. . . . In the Historical Survey, Part III, I have restricted the enquiry to writings reasonably taken to refer to first-hand mystical experience in history up to about 120 C.E. . . . there is good reason to believe that, after that date, the earlier and genuine accounts of mystical experience have been built on by theologians and others who had not been granted that experience.’
Professor J.H.M.Whiteman (who also wrote as Michael Whiteman) published more than fifty contributions relating to spiritual development, psychological, mystical, or otherwise scientific matters. He taught in the Department of Applied Mathematics at the University of Cape Town for twenty-nine years (principally Relativity, Quantum Theory, and related subjects). He has conducted classes in Sanskrit at various times, served as Editor of The South African Music Teacher for over fifty-five years, and has appeared as an expert witness in court or as a consultant on psychological or other scientific matters. His previous books – The Mystical Life (1961), Philosophy of Space and Time (1967), The Meaning of Life, Vol.1 (1986) and Vol.2 (2000), and Aphorisms on Spiritual Method (1993) – have all been highly praised.
List of Diagrams and Charts
Prologue: The ‘World Illusion’ (Māyā), Universal Reason, Consciousness, and Individual Life
- The Scientific Validation and Reality Rating of Reports of Non-Physical Experience
- The Fallacies of Modern Materialism and the Correction
- Survival of Death: A Clarification of Ideas, on the Basis of Evidence
- The Angelic Choirs
an outlining of universal theology, with first-hand evidence
- Part I: Divinity, Creation, and the Purpose of Suffering
- Part II: Individual, Society, and the System of the Worlds
a selected historical survey
- Mystical Religion in the Late Bronze Age
- Mystical Teachings in the Rig Veda: Four Hymns in New Translation
- Two Classical Upanishads in New Translation, with Commentary
- The Psychical and Mystical Experience of Gotama Buddha
- The Mystical Experience and Teachings of the First Isaiah
- Four ‘Messianic’ Psalms, in New Translation, with Commentary
- Mystical Teachings of St Paul
- Mystical Evidence in the Johannine Gospel and Letters
life in the other worlds
- ‘Naturalistic’ Experiences ‘Out of the Physical Body’
- Meetings after Death
- The Intermediate world
- The Clothing of the Spiritual Body
- The Higher Worlds
- The Lower Worlds, and their Inhabitants
- The Mystical Derivation of Quantum Theory and Physical Laws in General
- Six Parables
- The Transliteration System used her for Biblical Hebrew
Subject IndexMore info →
Collected, edited and annotated by A. Norman Jeffares
23.5 x 15.5 cm. xxxii, 861 pp. 2001
Poems and Plays brings together the contents of Oliver St John Gogarty’s fifteen volumes of poetry, including his Collected Poems. It also contains poems published individually in various journals and 232 hitherto unpublished poems; as well, there are his three Abbey plays – Blight, A Serious Thing and The Enchanted Trousers – published under the nom-de-plume Gideon Ouseley, together with Incurables and the incomplete Wavelengths.
Much of Gogarty’s poetry was classically inspired; his witty lyric poems have the elegant grace of Herrick or the terse eloquence of Marvell. His appreciative poems about his friends and his elegies for some of them are balanced by Martial-like satires; his enthusiastic enjoyment of beauty is matched by the encomiastic treatment of places, itself reinforced by a keen awareness of their historical and often dramatic associations.
Gogarty, the son and grandson of doctors, was born in Dublin in 1878. His novel, Tumbling in the Hay (1939; 1996) gives a sparkling account of medical student life in Dublin at the beginning of the twentieth century. When he was an undergraduate at Trinity College, Dublin, Gogarty was befriended by the famous classical dons Tyrrell and Mahaffy and the philosopher Macran. At the same time he had a circle of contemporaries (many met earlier when he was briefly a student at University College, Dublin) known for their raffish behaviour and mocking, bawdy wit; among them were James Joyce, John (‘Citizen’) Elwood and Vincent Cosgrave. James Starkey (‘Seumas O’Sullivan’) was another contemporary companion. And Gogarty’s acquaintanceship widened to include George Moore and W.B.Yeats who, despite thirteen years difference in age, became a lifelong friend.
An all-round athlete who was a champion cyclist, who successfully rescued drowning men on three occasions, Gogarty followed up his medical degree with a spell of study in Vienna, returning to become a successful Ear, Nose and Throat Specialist in Dublin. His lively autobiographical As I was going down Sackville Street (1937; 1994) records something of the entertaining eccentricity of many of the city’s citizens in the 1920s as well as the characters of those involved in its cultural and political life.
Gogarty’s wit irradiated his exuberant conversation. Many of his Rabelaisian poems have remained unpublished until now. They circulated freely, however, in the talk of Dublin, especially among the group who met in Fanning’s public house or the Bailey, such fellow wits as George Redding and Neil Montgomery.
Gogarty, whose politically active friends included Arthur Griffith, Michael Collins and Michael Cusack, became a Senator of the Irish Free State. Kidnapped by the I.R.A. in the Irish Civil War in 1923, he escaped being shot by plunging into the River Liffey and swimming downstream to safety. Renvyle, his large house in Connemara, bought when he realised that cars made it more accessible from Dublin (he was an enthusiastic early motorist and Ireland’s first amateur aviator) was burnt down by the I.R.A. shortly afterwards. When it was rebuilt in 1930 Gogarty turned it into a hotel. There, as in Dublin, he and his wife entertained generously, their circle of friends ever-widening.
As he moved away from medicine Gogarty sold his Dublin house, 15 Ely Place, finding more time for writing in Connemara. In 1939 he went on a lecture tour in the United States and, disillusioned by de Valera’s Ireland, stayed on, supporting himself and his family (there were two sons and a daughter) in Ireland, by writing and lecturing. He came back at intervals, transport permitting, but died in New York in 1957, the year that he had decided to return permanently to Ireland.
Now that his work is being made available again, readers have the opportunity to appreciate the lively evocative writings of this Renaissance man whose poetry W.B.Yeats so admired, including more of Gogarty’s work in his Oxford Book of Modern Verse 1892-1935 than of any other living poet. His poetry conveys his infective love of beauty of all kinds, the fundamental seriousness beneath his witty persiflage, his moving awareness of Time’s inexorable pressures, and his emphasis upon the need to face death with dignity.
The collection is divided under the headings chosen by Gogarty himself for Collected Poems
Part 1 - Collected Poems (1951): Odes and Addresses - Earth and Sea - Satires and Facetiae - Love and Beauty -Life and Death - Elegies.
Part 2: Poems in Various Volumes - published and unpublished, not included in Collected Poems. Hyperthuleana (1916), Secret Springs of Dublin Song (1918), The Ship and Other Poems (1918), An Offering of Swans (1923), An Offering of Swans and Other Poems (1924), Wild Apples (1928, 1929, 1930), Selected Poems (1933), Others to Adorn (1938), Elbow Room (1939), Perennial (1944, 1946), Unselected Poems (1954), Penultimate Poems (prepared but unpublished).
Part 3: Poems published in journals and unpublished volumes. Odes and Addresses - Earth and Sea - Satires and Facetiae (Dislikes and Disapprobations, Limericks, Parodies, Light-hearted Verses, Some Martello Tower Poems, Seamus O’Sullivan Poems, Poems concerning Dermot Freyer, Jesting about the Sinclair Brothers, Classical Themes, Religious Thoughts, Political Poems, On Drinking, Medical Meditations, Monto Poems) - Love and Beauty -Life and Death - Elegies.
Appendices, Notes, Notes on the texts, and Addenda, including ‘Delphi’, written as an entry for the Newdigate Prize.
Words Apart is a study of the rich linguistic heritage of the people of Northern Ireland, providing an invaluable introduction to this remarkable and eloquent variety of English. The book is not simply a dictionary: it is a record of the unique interaction of three peoples, the Irish, the English and the Scots, and reflects a history of courage, humour and stoicism.
This study is in four sections. The first provides a brief account of the growth and development of the English language in Northern Ireland. Section Two offers a lexicon which includes pronunciations, etymologies and illustrative sentences from live recordings made in both rural and urban areas in all six counties. Section Three is an alphabetically-arranged list of English words followed by their equivalents in the dialect. The final section includes extended examples of verse, prose and recorded speech.
This book will be of value to the general reader as well as to those with a special interest in Irish studies, in variations in English and in the spread of English throughout the world.More info →
The Pontifical, Religious and Secularised Catholic-founded Orders and their relationship to the Apostolic See
Hardcover ISBN: 0-86140-371-1 / 978-0-86140-371-4 £70.00
Limited signed edition, three-quarter morocco, vellum panels, marbled end-papers, in slip-case ISBN: 0-86140-380-0 / 978-0-86140-380-6 £450.00
23.4 x 15.5 cm. xvi, 714 pp. + 48pp colour illustrations and with c.400 b/w illustrations within the text
Since the publication in 1983 of Archbishop Cardinale’s Orders of Knighthood, Awards and the Holy See, and the two later editions (1984 and 1985) edited and revised by Peter Bander van Duren, whose own work The Cross on the Sword appeared in 1987, there have been major changes in the Holy See’s attitude towards Orders of Knighthood. These changes have meant that large sections of both books are now out of date, so it has been necessary for Peter Bander van Duren to completely rewrite and update the work Archbishop Cardinale began, and without which this book could not have been written.
Orders of Knighthood and of Merit presents the many Catholic-founded Orders of Knighthood in a new perspective, and deals not only with the Pontifical Equestrian Orders and the two surviving religious Orders of Knighthood, but with the many Catholic-founded but secularised Orders – dynastic, state and crown – that exist today. He examines their relationship, where one exists, to the Apostolic See and the Papacy in the light of the changes that have taken place, as well as the dichotomy between the different rôles and functions of the Holy See and the Apostolic See, the Mater et Magistra of all Catholic-founded Orders of Knighthood. Having been able to study various source materials hitherto and not since available to others, he exposes the misunderstandings and misinformation that exist in this field, and highlights errors that have been perpetuated, sometimes for centuries, through genuine lack of information, as well as those that, for political expediency, have been deliberately concealed.
The chapter and appendices on the Pontifical Orders of Knighthood are designed to assist papal knights in their rôle and functions that their appointments have given them.
The author places the Catholic-founded Orders of Knighthood in perspective, and shows that the continued existence of many of them is based not only on authoritative ecclesiastical and temporal documents of foundation, Papal Briefs and Bulls, but also on their lay apostolate which has continued without interruption.
Neither the Codex Iuris Canonici in force from 1917 to 1983, nor that governing the Catholic-founded Orders during the pontificate of St. Pius X (who more than any other pope laid the foundations for the Pontifical Orders as we know them today), created the present situation where necessity dictates that one has to distinguish between the rôle and functions of the Apostolic See and the Holy See: this dichotomy was created by the 1983 Codex Iuris Canonici. The author shows the paradox that would arise if those who wish to equate them according to the latter’s rather vague Canons are not challenged to clarify their positions: their rulings would nullify the present enormous value of many of the Catholic-founded Orders to the Apostolic See and, indeed, to the whole Church. The author goes so far as to suggest that if the authority and the supremacy of the Apostolic See were to be further diminished, those mighty armies that once protected our Christian civilisation will have lost their raison d’être.
Special attention is paid to dynastic Orders of Knighthood, especially those that although secularised, in some cases for centuries, still fulfil a lay apostolate. Many state and dynastic Orders were secularised during the Reformation, and while they no longer have any link with the Apostolic See, they retain the character and insignia of their former existence, and now have a reciprocal relationship with the Holy See in its capacity as a sovereign power. Extinct Catholic-founded Orders, as well as those organisations that without justification claim chivalric status, are dealt with in detail. One of the most important matters dealt with by the author, and not hitherto considered elsewhere, is the raison d’être of several Orders, and some aspects of Hospitaller as well as Military Orders are also examined.
For over half the last millennium, from the time of the first Crusade to the latter half of the seventeenth century, members of Catholic-founded Orders of Knighthood were at the forefront of the defence of West European civilization, and the author suggests that they may once again find a rôle. There are also many appendices that give a wealth of information not readily available to those interested in phaleristics – the study of Orders, decorations and honours bestowed on meritorious individuals. Orders of Knighthood and of Merit is therefore one of the most important contributions to the study of phaleristics that has been published in the past decades.
I. The involvement of the Apostolic See and the Holy See in the field of chivalry – The origin and evolution of Orders of Knighthood.
II. THE PONTIFICAL ORDERS OF KNIGHTHOOD. The origin and evolution of Pontifical Orders of Knighthood and the attitude of individual pontiffs to the Orders – The Supreme Order of Christ – The Order of the Golden Spur, or The Golden Militia – The Golden Collar of the Pian Order – The Order of Pius IX – The Order of St. Gregory the Great – The Order of Pope St. Sylvester – Corollary on non-Catholic Knights of the Order of St. Gregory the Great.
III. PAPAL KNIGHTS. The rôle and function of the Pontifical Equestrian Orders – The procedure for admission – The implications of the Supreme Pontiff being the fons honorum of Pontifical Knighthoods.
IV. PONTIFICAL RELIGIOUS AWARDS OF MERIT. The Golden Rose – The Cross ‘Pro Ecclesia et Pontifice’ – The Medal ‘Benemerenti’.
V. RELIGIOUS BUT NON-PONTIFICAL ORDERS OF KNIGHTHOOD. The Sovereign Military Hospitaller Order of St. John of Jerusalem, of Rhodes and of Malta – The Most Venerable Order of the Hospital of St. John of Jerusalem – The Equestrian Order of the Holy Sepulchre of Jerusalem.
VI: A TRANSFORMED RELIGIOUS ORDER OF KNIGHTHOOD: The Teutonic Order.
VII. CATHOLIC-FOUNDED DYNASTIC ORDERS. Their nature, rôle and function, and their relationship with the Apostolic See
The Noble Order of the Golden Fleece of Burgundy
The Imperial and Royal House of Habsburg-Lorraine – The Noble Order of the Golden Fleece of Austria – The Order of the Dames of the Starry Cross
The Royal House of Bragança of Portugal – The Order of Our Lady of the Conception of Vila Viçosa – The Royal Order of Saint Isabel
The Royal House of Bourbon of the Two Sicilies – The Sacred Military Constantinian Order of St. George – The Royal Order of St. Januarius
The Royal House of Savoy-Italy – The Supreme Order of the Most Holy Annunziata – The Order of SS. Maurice and Lazarus
The Royal House of Bavaria Wittelsbach – The Order of St. George – The Order of St. Hubert – The Order of St. Michael
The Royal House of Bourbon of France – The Royal House of Bourbon Orléans – The Order of the Holy Ghost – The Royal and Military Order of St. Louis – The Order of St. Michael of France
The Ducal House of Habsburg-Tuscany: The Grand Duchy of Tuscany – The Order of St. Stephen – The Order of St. Joseph.
VIII. SECULARISED CATHOLIC-FOUNDED ORDERS OF KNIGHTHOOD STILL BESTOWED AS CROWN OR STATE ORDERS
Denmark: The Order of the Elephant; The Order of the Dannebrog
Great Britain and Northern Ireland: The Most Noble Order of the Garter; The Most Ancient and Most Noble Order of the Thistle; The Most Honourable Order of the Bath; Knights Bachelor
Monaco: The Order of St. Charles
The Republic of Poland: The Order of the White Eagle; The Order of ‘Polonia Restituta’
The Republic of Portugal: The Riband of the Three Orders; The Military Order of the Tower and the Sword, of Valour, Loyalty and Merit (although not a Catholic-founded Order); The Military Order of Christ; The Military Order of Avis; The Military Order of St. James of the Sword
San Marino: The Equestrian Order of St. Marino; The Equestrian Order of St. Agatha
Spain: The Noble Order of the Golden Fleece (Spanish branch); The Monastic Military Orders of Alcantara, of Calatrava, of Montesa & of Santiago; The Most Distinguished Order of Carlos III; The Order of Isabella the Catholic; The Military Order of St. Ferdinand; The Royal & Military Order of St. Hermenegildus; The Orders of Cisneros, & of St. Raymond of Peñafort
Sweden: The Royal Order of the Sword (The Order of the Yellow Ribbon); The Royal Order of the Seraphim
IX. EXTINCT CATHOLIC-FOUNDED ORDERS OF KNIGHTHOOD
X. THE MILITARY AND HOSPITALLER ORDER OF ST. LAZARUS OF JERUSALEM
XI. RECOGNIZED KNIGHTLY ORGANISATIONS. The Association of the Knights of Columbus -
The Knights and Dames of St. Michael of the Wing
XII. THE SPIRIT OF CHRISTIAN CHIVALRY TODAY
XIII. UNRECOGNISED ORGANISATIONS STYLING THEMSELVES ORDERS OF KNIGHTHOOD
1. Pontifical Equestrian Orders: Papal Letters of Foundation and Decrees
2. Additional Guidelines for Papal Knights and Investitures
3. Conferment of Pontifical Religious Awards
4. The Pontifical Medal
5. The Pontifical Corps of Guards: the Pontifical Noble Guard – The Pontifical Swiss Guard – The Palatine Guard of Honour – The Pontifical Gendarmerie
6. Perrot’s List of Extinct Orders
7. On Chronological Lists of Orders of Knighthood
8. The Prerogatives of the Dukes of Bragança
9. Bull of Foundation of the Portuguese Order of Christ and Royal Brief of Acceptance by King Dom Dinis I
10. Insignia as objets d’art
11. Orders and Decorations of the Republic of Poland
12. Appointment of S.A.R. Don Carlos de Borbón-Dos Sicilias y Borbón-Parma as Infante of Spain
22.8 x 15.0 cm.
Bernard Shaw, who made his international reputation as a playwright in London, and Augusta Gregory, founder-director of the Abbey Theatre in Dublin, are generally considered as belonging to different theatrical traditions. But in 1909, when the Abbey produced The Shewing-up of Blanco Posnet, which had been banned in England, there began a close involvement of Shaw with Irish theatre and a warm personal friendship with Lady Gregory.
The complete surviving correspondence between the two, published for the first time, reveals their developing relationship: the battle with Dublin Castle over Blanco, Shaw’s support for Lady Gregory in the rows over Synge’s Playboy in America; the controversy with military authorities over O’Flaherty V.C., written for the Abbey in 1915; the lively exchange of views on Ireland, politics, the Hugh Lane pictures, the schooling of the Gregory grandchildren; which ended only with Lady Gregory’s death in 1932.
Drawing upon letters to and from other correspondents, diaries and engagement books, private memoranda, newspaper reports, and press releases, the editors have enlarged the correspondence into a comprehensive record of Shaw’s important and previously unrecognised contribution to the Irish theatre. Shaw and Lady Gregory’s crisp, witty and informal letters, in the context of their joint commitment to the Abbey, make the book rewarding reading for all those with an interest in the theatre.
In the present period of soul-searching, conflict and reconciliation, many people are turning to the ancient Indian classics of spiritual development and psychology for illumination and guidance. Prominent among these classics is the collection of aphorisms called the Yoga Sutras of Patanjali, which offer a systematic exposition of principles and practices successfully followed over the course of 1000 years before the Christian era.
This comprehensive and up-to-date study, with its preliminary mystical explanations of themes in the Rig Veda, Upanishads and early Buddhism, will hopefully make the substance of this ancient guide to spirituality more immediately accessible and illuminating for our modern times.
Contents: eleven chapters on the mystical and historical background - an idiomatic translation - an interlinear translation and detailed commentary - and three supplements to assist teachers who are unfamiliar with Sanskrit.
Previous books by the author (who also writes under the name of Michael Whiteman) - The Mystical Life (1961), Philosophy of Space and Time (1967), and The Meaning of Life vol.1, An Introduction to Scientific Mysticism (1986) - have all been highly praised.More info →
23.5 x 15.0 cm. xii, 96 pp. 1988
The purpose of this Supplement is to make available a portion of the new information discovered since the publication of A Bibliography, as well as to expand and correct data in the first ('Books and Pamphlets') and third ('Periodical Appearances') sections of that volume. It is an auxiliary volume, not an update.
Anyone wishing to purchase both volumes of Edwin Gilcher's bibliographies direct from the publisher may obtain them together for the reduced price of £40.00, UK post free, enquire for cost of postage overseas.
With notes on interpretive criticism 1910 to 1984
ISBN 978-0-86140-408-7 874pp.
The writings of William Blake were not understood by his contemporaries or the Victorians, and it was only in 1910, with the publication of Joseph Wicksteed's Blake's Vision of the Book of Job, that the long process of comprehending Blake's works seriously began.
Part 1 of the present work consists of twelve chapters that are primarily intended to lead the reader who has little or no acquaintance with Blake's more difficult works through all his books. These consist of Poetical Sketches, Songs of Innocence and of Experience, three early prose tractates, the eleven shorter prophetic books (including The Marriage of Heaven and Hell), the lyrics of the Pickering Manuscript, The Four Zoas, Milton, Jerusalem, The Gates of Paradise, The Ghost of Abel and Illustrations of The Book of Job.
The reader who wishes to explore a work more fully can proceed to Part II, where a headnote outlines the main scholarly views of its structure and meaning. The headnote for each book is followed by a survey, laid out line by line, of how such details as proper names, Blakean symbols, political allusions, and obscure phrases have been interpreted. Where there are engraved designs, these are covered in a comparable fashion. Part II will also be useful to those who want an overview of the interpretations of a particular work or passage and to readers interested in the evolution of twentieth-century understanding of Blake.
There are two indexes providing ready access to explanations of terms and proper names.
'Its nearly 900 pages comprise the most helpful overview of Blake's works and of Blake criticism I have ever come across... Highly recommended.' Bill Goldman in The Journal of the Blake Society
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HENRY SUMMERFIELD teaches in the Department of English at the University of Victoria, British Columbia. He is author of That Myriad-Minded Man, A Biography of G.W.Russell - 'AE', is General Editor of the Collected Works of G.W.Russell, and editor of A Selection from the Contributions to 'The Irish Homestead' by Russell. He is also author of An Introductory Guide to The Anathemata and the Sleeping Lord Sequence of David Jones.
A Supplement to 'Orders of Knighthood, Awards and the Holy See'
23.5 x 15.5 cm. 196 pp. illus. Van Duren 1987
With an Introduction by Archbishop, later Cardinal, Jacques Martin
This book attests to the fact that there is nothing more ancient, more venerable, more diversified than the Orders of Chivalry that have existed or still exist, and more desired, more sought after by certain people, than a papal decoration. It is always necessary to underline the essential differences between temporal decorations and those that are conferred by the sovereign Pontiff. A papal knighthood is not to be viewed solely as an honour, as a reward: it also incorporates a duty and a mission, that of serving and protecting the person of the Vicar of Christ. Papal Knights form a sort of army, on the devotion of which the Pope must be able to rely. To the Knight it is not the honour that matters but his obligations and services. + Jacques Cardinal Martin
Peter Bander van Duren's The Cross on the Sword is a supplement to his edition of the late Archbishop H.E. Cardinale's Orders of Knighthood, Awards and the Holy See (1985), and consolidates his revisions and additions that appeared in that work.
The first part deals with the statutes and regulations concerning the Pontifical Equestrian Orders of Pius IX, St. Gregory the Great and Pope St. Sylvester, the privileges granted to Papal Knights and their juridical position. As His Excellency Archbishop Jacques Martin writes in his introduction the author had to rely, for the information in this section, on ‘the Papal Briefs of the Orders' founders and the provisions made for the Papal Knights by Pope St. Pius X, many of which were contained in personal directives. It was left to Peter Bander van Duren to interpret them in the light of today's need as the Holy Father wrote them over eighty years ago.’
For the first time in the history of the Papal Knights, guidelines have been devised for an investiture ceremony, and the question of precedence has been examined in the light of the privileges granted to Papal Knights by Pope St. Pius X.
Part II deals with general juridical questions arising from Archbishop Cardinale's work, particularly the position of Catholic Orders of Knighthood that he stated were ‘extinct’, ‘abolished’, ‘suppressed’ or ‘in abeyance’. The author also examines the degree of importance that should be attached to the Bullarium Romanum when establishing the status of an Order.
Part III contains addenda to the 1985 edition of Orders of Knighthood, Awards and the Holy See concerning Catholic and Catholic-founded Orders of Knighthood, and Part IV introduces two Christian but not Catholic Orders, each unique in their nature.
The Cross on the Sword is a most useful work, not only for Papal Knights and everyone who may at one time or another be connected with their investiture ceremonies — Parish Priests, Masters of Ceremonies, diocesan and parochial administrations, for example — but also for everyone who is interested in Orders of Chivalry, and their continuing role in the world today. The illustrations not only show insignia — medals and uniforms — of the Orders examined in this book, but also illustrate the ceremonies themselves, adding a further dimension to the help that this work provides for the reader.
Edited and Introduced by Peter Kuch
32.6 x 13.8 cm. xxii, 474 pp. + 2pp. with three colour illus. 2011 Part 4 of the Collected Works of G. W. Russell - 'A.E.'
George William Russell, or AE as he was more familiarly known, was mentor and friend to three generations of Irish writers. To visit or to be sought out by AE was to be assured of a place in Irish literary history. The young James Joyce knocked on his door at midnight; Lady Gregory looked forward to his visits to Coole; Patrick Kavanagh walked from Inniskeen to Dublin to meet him; Yeats regarded him as his ‘oldest friend’; Liam O’Flaherty sought his patronage; Frank O’Connor asked his advice.
As if to guarantee Russell would not be forgotten, George Moore concluded his engaging, gossipy account of the literary movement, Hail and Farewell (1911-14), with a benediction for ‘AE and the rest’. Whether aspiring, accomplished, real or imaginary, Irish writers inevitably found themselves indebted to his practical help and inspired by his spiritual and critical insights. Even Stephen Dedalus admits to himself AEIOU.
This scrupulously researched volume brings together for the first time all of Russell’s writings on poetry, prose, drama and painting—writings central to understanding the role of literature, theatre and art in Ireland’s quest for self-realisation. Included are reviews, prefaces, introductions and articles; letters to the press on censorship and the Irish Academy of Letters; and The Honourable Enid Majoribanks, a hitherto unpublished play. Extensive notes drawing from published and unpublished sources situate each item in terms of text, intertext and context.
Peter Kuch is the inaugural Eamon Cleary Professor of Irish Studies at the University of Otago in Dunedin, New Zealand. The Director of the Centre for Irish and Scottish Studies at Otago, he is also an Honorary Professor at the John Hume Institute for Global Irish Studies at the University of New South Wales. He holds an Honours degree from the University of Wales and an M.Litt and D.Phil from Oxford. He has held posts at the Universities of Newcastle and New South Wales, Australia; L’Université de Caen, France; and been a Visiting Fellow at the Humanities Research Centre at the Australian National University, and the Anthony Mason European Fellow at Trinity College, Dublin. The author of Yeats and AE: ‘the antagonism that unites dear friends’ (Colin Smythe, 1988), he is currently researching a cultural history of the performance of Irish theatre in colonial Australasia.
1. “The Poetry of William B. Yeats”; 2. “A New Irish Poetess”: review of Eva Gore-Booth, Poems; 3. “Literary Ideals in Ireland”; 4. “Nationality and Cosmopolitanism in Literature”; 5. Review of Eleanor Hull, The Cuchullin Saga in Irish Literature; 6. Review of Edward Martyn, The Heather Field and Maeve 7. “Politics and Character”; 8. “Fiona Macleod’s New Book”: review of The Dominion of Dreams; 9. Review of Fiona Macleod, The Divine Adventure; 10. “A Note on William Larminie” in Stopford Brooke and T.W. Rolleston, eds., A Treasury of Irish Poetry; 11. “The Dramatic Treatment of Heroic Literature”; 12. “The Character of Heroic Literature”: review of Lady Gregory, Cuchulain of Muirthemne; 13. “The Poetry of William Butler Yeats”; 14. “A Book about the Earth Life”: review of Ethel Longworth Dames, Myths; 15. “A Note on Standish O’Grady” in Justin McCarthy, ed., Irish Literature; 16. “Preface” to New Songs; 17. “A Note on Seamus O’Sullivan”; 18. Review of T.W. Rolleston, The High Deeds of Finn; 19. “The Poetry of James Stephens”; 20. “The Boyhood of a Poet”; 21. “A Tribute to Standish O’Grady”; 22. “On Quality of Sound”; 23. Foreword to Shan F. Bullock, Mors et Vita; 24. Foreword to Liam O’Flaherty, The Black Soul; 25. Foreword to F.R. Higgins, Island Blood; 26. Foreword to Hugh Alexander Law, Anglo-Irish Literature; 27. “Address to the Thirtieth Annual Dinner of the American-Irish Historical Society”; 28. “The Censorship in Ireland”; 29. Introduction to Oliver St. John Gogarty, Wild Apples; 30. Foreword to Katharine Tynan, Collected Poems; 31. Review of Humbert Wolfe, Snow; 32. Introductory Essay to Hugh MacDiarmuidFirst Hymn to Lenin and Other Poems; 33. “On the Character in Irish Literature” in Frank O’ConnorThe Wild Bird’s Nest: Poems Translated from the Irish; 34. "The New Irish Academy – AE replies to Father Gannon”; 35. “The Irish Academy of Letters: Letter from AE”; 36. “The New Irish Academy: Letter from AE”; 37. “The New Irish Academy: Letter from AE”; 38. “Oliver St. John Gogarty: An Appreciation”; 39. Foreword to Oliver St. John Gogarty, em>Selected Poems; 40. Introduction to Seamus O’Sullivan, Twenty-five Lyrics; 41. Introduction to Irene Haugh, The Valley of Bells and Other Poems; 42. “Memories of A.R. Orage”; 43. “An Appreciation” of Ruth Pitter, A Mad Lady’s Garland; 44. Foreword to Joseph O’Neill, Land Under England; 45. “The Sunset of Fantasy”; 46. Deirdre: A Legend in Three Acts; 47. The Honourable Enid Majoribanks: a Comedy; 48. “Art in Ireland”; 49. “An Irish Sculptor: John Hughes”; 50. “The Spiritual Influence of Art”; 51. “Two Irish Artists”; 52. “An Artist of Gaelic Ireland”; 53. “Art and Literature”; 54. “Art and Barbarism”; 55. “The Lane Bequest”; 56. “An Appreciation” of J.B. Yeats, Essays: Irish and American; 57. “Hugh Lane’s Pictures”; 58. “Some Irish Artists”
Preface to Some Irish Essays; Prefaces to Imaginations and Reveries; “Nationality or Cosmopolitanism – 1925 text”; The Countess of the Wheel; Britannia Rule-the-Wave: A Comedy; “AE’s Oration: George Moore”; “An Artist of Gaelic Ireland – 1908 text”
Abbreviations used in Glossary of Mythological References and Notes and Commentary; Glossary of Mythological References; Guide to Notes and Commentary; Notes and Commentary – Literary Writings; Notes and Commentary – Writings on Art; Notes and Commentary – Appendices; Bibliography; Index
Horace Plunkett is remembered for his efforts to transform Irish agricultural practice, through the Co-operative Movement which he founded in 1889, and its administration via the Department of Agriculture, which he established ten years later.
From a protestant ascendancy background, Plunkett was one of those ‘fenian unionists' who were always able to see both sides of the Irish Question, and whose reforming zeal, and frank expression of opinion, during the period in which Ireland moved from benevolent Tory rule by Westminster, to independence for the south and partition of the island, brought him into conflict with all shades of political opinion.
This biography traces the development and interplay of his social and political philosophies, establishing Plunkett as the pioneer of modernisation of Ireland's principal industry, and as a political figure whose ideals and experience are of abiding interest.
ISBN: / 978-0-86140-067-6
22.5 x x 15.5 cm. xiv, 274 pp. 1970 [Northern Illinois University Press] We have purchased their entire stock, and therefore allocated a new ISBN to this book.
This is the first comprehensive bibliography in English and the most complete in any language of the works of George Moore, the Anglo-Irish author whom Charles Morgan described as having ‘twice recreated the English novel’. Moore was the first critic to write in English of the Impressionist painters and of the works of Verlaine, Rimbaud, and Laforgue. In addition, he was instrumental in helping to sound the death knell of the Victorian three-decker novel, and later was a leader – with W. B. Yeats, Edward Martyn, and Lady Gregory – in Ireland’s literary renaissance. His writings and interests have been so diverse that few realise the scope of his work. During his lifetime, Moore was frequently the storm centre of one controversy or another. While leading to many amusing tales about him, this has tended to cloud his very real contribution to English literature, both as an innovator and as an accomplished artist. To achieve the perfection he constantly sought, Moore revised and rewrote probably more than any other modern .author, yet the resulting textual differences in various editions have scarcely been noted. Two previous bibliographies (both published nearly fifty years ago and more than ten years prior to Moore’s death) do not approach completeness; neither makes more than casual mention of revised texts, and neither notes translations and periodical appearances. Both limit consideration to English editions, although in some cases the American printings were the earliest.
This bibliography, which had its genesis more than thirty years ago, is based primarily on Edwin Gilcher’s personal collection, but every description has been checked against as many other copies as possible. It fully describes all works in first editions, both English and American, and all subsequent editions containing substantial revisions, as well as, for the sake of collectors, the various limited and illustrated editions. As far as possible all editions have been noted so that a student can quickly determine which text has been reprinted in any particular edition.
The first section, by far the longest, contains descriptions of all titles associated with Moore, including early works excluded by the author from the canon of his collected editions, and also pamphlets and occasional printings. The second section is devoted to books by other authors which contain contributions by Moore and which reprint letters of his. The third section lists periodical printings, and this listing is the most extensive that has been made to date. The fourth section lists the books, stories, and articles translated into thirteen foreign languages. The final section gives brief accounts of titles sometimes attributed to Moore, but actually not by him, and of works known to have been written by him, including a number of plays, which have never been published.
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Late in his career, the Irish poet Austin Clarke was asked by Robert Frost what kind of poetry he wrote. ‘I load myself with chains,’ Clarke replied, ‘and try to get out of them.’ ‘Good Lord!’ Frost said. ‘You can’t have many readers.’ Despite a distinguished career spanning almost sixty years, Austin Clarke has not had many readers outside Ireland. Inside Ireland, many critics ranked Clarke as the most important Irish poet writing after Yeats, but his work has not received extensive critical attention — partly because it is often difficult and complex, and partly because Clarke was committed to writing not just about the Irish, but also for the Irish.
In The Poetry of Austin Clarke, the first published book-length study of Clarke’s poetry, Gregory Schirmer argues against seeing Clarke as a provincial writer. Rather, he sees Clarke’s large and varied canon as informed by a broad humanistic vision that enables it to transcend Clarke's commitment to the local.
Clarke once said that in reading Joyce’s A Portrait of the Artist as a Young Man he had difficulty distinguishing between Stephen Dedalus and himself. Like Joyce, Clarke (1896-1974) came to see Irish Catholicism as a powerful and complex threat to his freedom and artistic vocation. In The Poetry of Austin Clarke, Schirmer asserts that almost all of Clarke’s poetry moves between two poles: his view of Irish Catholicism as a repressive, life-denying force, and his humanistic faith in man’s inherent goodness and right to moral, intellectual, and spiritual freedom.
This argument is advanced through a detailed reading of Clarke’s poetry, beginning with the early narrative poems, which are based on the same pre-Christian Irish legends that inspired Yeats and the Irish Literary Revival, and then turning to Pilgrimage (1929) and Night and Morning (1938), two volumes of lyrics that are central to understanding Clarke’s poetry as a whole. In these books, Clarke sets forth the terms that govern all his art – the struggle between humanism and religion, flesh and spirit, reason and faith. Clarke’s satirical poems and epigrams of the 1950s and 1960s are then examined in terms of this tension. Finally the book discusses Clarke’s later poetry, including the long, semi-autobiographical Mnemosene Lay in Dust (1966), the late erotic poetry, and Clarke’s free translations of Gaelic verse.
Throughout all this varied writing, Schirmer argues, Clarke is celebrating the human in the face of the forces that he sees ranged against it. It is this vision that makes Clarke’s poetry an important part, not just of Irish literature, but of all literature attempting to express man’s condition in the twentieth century.
ISBN 978-0-86140-214-4 21.6 x 13.8 cm.
For over five centuries the essays of Ze-Ami – considered, with his father Kan-Ami, to be the founder of Noh, the classical dance-drama of Japan – were kept secret. They were not shown to more than one Noh actor in each generation until recently. Though they contain a large number of paradoxes and contradictory statements as well as a great deal of repetition, they were regarded as a Bible by actors in the Noh technique. As repetition was a constant feature in training and in techniques in many arts in Japan, and as paradox had often been used in the search for the truth in Zen, so Ze-Ami's essays were accepted, despite their repetitions, paradoxes and contradictions. They were not. however, easily translatable, and they benefit from being edited.
In this work therefore, Ze-Ami's ideas are dealt with in eight chapters: The History of Noh: Five Groups of Noh Plays: Training: Acting: Writing a Play: Public Tachiai Competitions and Grades of Acting: The Audience: and Hana. This arrangement presents Ze-Ami's ideas with some order and consistency. Relevant sections of eighteen essays by Ze-Ami are translated and discussed. These include Fushi-kaden, Kashū, Ongyoku-Kowadashi-kuden, Kukyō, Shikadō, Nikyoku-Santai-Ningyōzu, Sandō, Fushizuke-shidai Fukyokushū, Yūgaku-Shūdō-Fūcken, Goi, Kyūi, Rikugi, Shūgy-okutokuka, Goonkyoku-Jōjō, Goon, Shūdosho, Kyakurui-ku, and Zeshi-Roku-juigo-Sarugaku-Dangi.
This volume is a most useful introduction to an understanding of Noh history, practice, and technique, for all readers in the West, written as it is by a trained Noh actor..
This volume of critical essays and of creative writings brings together work by distinguished authors in many fields in honour of Alexander Norman Jeffares: English literature, Irish and Anglo-Irish Literature and Commonwealth literature, all fields which gained his interest throughout his life and to which he has contributed much, both through the spoken and printed word – as can be’ seen from the bibliography of his writings at the end of this volume.
Scholarship and criticism are deployed by the essayists to show how literature, by virtue of its creativity, offers a human and vivid insight into the individual in his or her society.
Poets and imaginative writers of many traditions deepen and extend our understanding of the creative impulse and its immediacy through their own work.