Over the years, Pilgrimage (1915-1967) has been viewed as early Modernism's great documentary novel, as daring experimental fiction, as spiritual autobiography and pioneer of cinematographic technique. No matter what critical viewpoint readers use, Pilgrimage's reputation as a demanding text persists. Like James Joyce's Ulysses, Richardson's 2000 intricately woven pages have challenged readers for decades.
She explores a new way of presenting reality in Pilgrimage, one that is immediate rather than retrospective. As the resulting chronicle of events extends itself, however, the larger picture grows puzzling. Scenes change suddenly, characters spring from the long forgotten past, years disappear without a trace.
A Reader's Guide meets these difficulties with a detailed account of the time scheme of the narrative, and a precise chronology of events keyed to the novels by page number for easy reference. Relationships among the principal persons of the story are followed throughout, and all the characters are placed in context in an alphabetically arranged descriptive directory. The book concludes with a select annotated secondary bibliography.
Thomson's practical scholarship bridges the ruptures and absences in Richardson's narrative to help readers master Pilgrimage in its broader outlines, in its structure, time-scheme, and character relations. Kristin Bluemel, author of Experimenting on the Borders of Modernism: Dorothy Richardson's 'Pilgrimage' (University of Georgia, 1996), aptly captures Thomson's achievement:
"A Reader's Guide to Dorothy Richardson's 'Pilgrimage' does more than serve as a long-awaited reference tool; it also reminds us of the way Richardson's luminous multi-volume novel participates, despite or even because of all its difficulties of time, in the ongoing debates about the critical practices and literary priorities of modernity."More info →
Dorothy Richardson's thirteen-volume Pilgrimage is crowded with references from the last decade of the Victorian era and the first decade of the twentieth century. The interests of the protagonist Miriam Henderson are wide-ranging, from ecology to economics, from fiction to philosophy, from the mores of the family to the morals of the nation. Pilgrimage's stream-of-consciousness narrative evokes these references and interests in elusive, complex ways. Even accomplished readers, following in the wake of the heroine's personal revelations, are hard-pressed to understand aspects of the more public scene from turn-of-the-century England.
Notes on 'Pilgrimage', by identifying historical persons, events, ideas, quotations and writings that underpin Richardson's story, illuminates these factual details and enriches understanding of the narrative. A translation of all foreign words and phrases, a record of textual misprints and a thorough index add to the value of the book.
Professor Thomson has for many years studied one of British literature's most challenging, most rewarding, most underestimated masterpieces. Notes on 'Pilgrimage': Dorothy Richardson Annotated is the culmination of that splendid research.
This new book complements Thomson's 1996 A Reader's Guide to Dorothy Richardson's 'Pilgrimage', an account of the time scheme and a precise chronology of events, with characters placed in context through a descriptive directory. Together Notes on 'Pilgrimage' and A Reader's Guide to Dorothy Richardson's 'Pilgrimage' make a lasting contribution to the study of Dorothy Richardson and will be asked for by students and scholars for decades to come.