Edited by Ann Saddlemyer
ISBN: 978-0-86140-060-7
J.M.Synge died in 1909 and The Works of John M. Synge were published in four volumes by Maunsel & Co., Dublin, in 1910. Since that time, with the exception of a few minor verses and one or two fragments of prose, the canon of his work has remained unaltered. Nevertheless, much unpublished material exists, for the most part of great interest and significance for the understanding of Synge's methods of work and development. This material, including early drafts of the plays, notebooks, poems, and fragments of poetic drama, has now been thoroughly explored in order to create this definitive edition, first published by Oxford University Press 1962-68, which not only collects together all that is of significance in his printed and in his unprinted work, but also, by a careful use of worksheets and early drafts, indicates much of the process of creation which occurred before the production of the printed page.
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With notes on interpretive criticism 1910 to 1984 ISBN 978-0-86140-408-7 874pp. The writings of William Blake were not understood by his contemporaries or the Victorians, and it was only in 1910, with the publication of Joseph Wicksteed's Blake's Vision of the Book of Job, that the long process of comprehending Blake's works seriously began. Part 1 of the present work consists of twelve chapters that are primarily intended to lead the reader who has little or no acquaintance with Blake's more difficult works through all his books. These consist of Poetical Sketches, Songs of Innocence and of Experience, three early prose tractates, the eleven shorter prophetic books (including The Marriage of Heaven and Hell), the lyrics of the Pickering Manuscript, The Four Zoas, Milton, Jerusalem, The Gates of Paradise, The Ghost of Abel and Illustrations of The Book of Job. -
Selected Prose & Related Documents 336 pp. 23.4 x 13.5 cm illus. in colour and monochrome Poet of the Second World War and peacetime dramatist, Francis Warner was 75 this year (2012). This, the first selection from his prose, gives readers of his work some indication of the historical and intellectual background from which his poetry has sprung: of 'the giant race before the flood' who lived on to help shape Britain's post-war imagination. Starting with memories of the Blitz and his poem 'Blitz Requiem', Warner recalls his schooldays at Christ's Hospital, Horsham, recovering from six years of war, and the role played by music. He writes of his friends: 'Henry Chadwick: Musician', Kathleen Raine as fellow poet, C. S. Lewis and the Psalms, Henry Moore, Francis Bacon, Edmond Blunden, and Samuel Beckett, reproducing the manuscripts off two short plays Beckett discussed with and gave to him. Other subjects include W. B. Yeats, Benjamin Britten and the Japanese Noh plays, Samuel Palmer as poet, and Hugh Wybrew's Liturgical Texts of the Orthodox Church. -
It is now over fifty years since the death of Augusta Gregory, who as a playwright, folklorist, essayist, poet, translator, editor, theatre administrator and nationalist, contributed so much and so uniquely to the realisation of modern Ireland. Yet soon after her death she seemed to be virtually forgotten, and the words on her gravestone – ‘she shall be remembered for ever’ – had a very hollow ring about them. It has only been in the last twenty-five years that Lady Gregory’s reputation has turned round, beginning with Elizabeth Coxhead’s biography, and the subsequent appearance of the Coole Edition of her works. The publication of Mary Lou Kohfeldt's biography in 1985 and now the appearance of this volume – the first collection of essays to be devoted to her – must surely create a greater awareness of her importance as a cornerstone of the Irish Literary Revival. -
Chosen and Introduced by Mary Shine Thompson The fourteenth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. 21.6 x 13.8 cm. Contains: The Son of Learning, The Flame, Black Fast, The Kiss, As the Crow Flies, The Viscount of Blarney, The Second Kiss, Liberty Lane,and the hitherto unpublished The Frenzy of Sweeney and St Patrick’s Purgatory (a translation of Calderón’s play), ‘Verse Speaking’, ‘Verse Speaking and Verse Drama’, and a bibliographical checklist. -
Chosen and Introduced by Joseph Ronsley The second volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN: 0-86140-123-9 / 978-0-86140-123-9 £30.00 Paperback ISBN: 0-86140-086-0 / 978-0-86140-086-7 £9.95 21.6 x 13.8 cm. Contains: The Old Lady Says 'No! (with Curtis Canfield's list of titles and authors of poems used in its Prologue)', The Moon in the Yellow River, The Golden Cuckoo, The Dreaming Dust, The Scythe and the Sunset, bibliographical checklist. -
hosen and Introduced by Andrew Parkin The fourth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. 21.6 x 13.8 cm. 416 pp. 2009 2nd, enlarged edition Contains: London Assurance, The Corsican Brothers, The Octoroon, The Colleen Bawn, The Shaughraun, Robert Emmet, bibliographical checklist. plus Boucicault's "'Canterin' Jack' - A Sketch from Life. How The Shaughraun was originated'. Dion Boucicault was a prominent playwright and prolific adapter of foreign plays and novels. He is known and loved especially for his high melodrama. Extremely popular on the Victorian commercial theatre for over forty years, his plays today still provide enjoyment to all audiences Born in Dublin, he achieved his first West End success with London Assurance in 1841. His work frankly catered to contemporary taste and fell rapidly into neglect after his death in 1890, but his lively observation of humanity in many moods, and his unerring sense of what works on the stage, have led his plays in recent years to successful revivals in Dublin, Belfast, Chichester and London, perhaps the most notable being the National Theatre's production of The Shaughraun starring Stephen Rea in the title role. -
Chosen and Introduced by Janet Egleson Dunleavy and Gareth Dunleavy The seventh volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN: 0-86140-095-X / 987-0-86140-095-9 £25.00 Paperback ISBN: 0-86140-096-8 / 978-0-86140-096-6 £8.99 21.6 x 13.8 cm 192 pp. 1991 Contains: The Twisting of the Rope, The Marriage, The Lost Saint, The Nativity, King James, The Bursting of the Bubble, The Tinker and the Sheeog, The Matchmaking, The School-master, bibliographical checklist. This volume publishes the original Irish language texts with Lady Gregory's translations. -
e of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN:0-86140-144-1 / 978-0-86140-144-4 £35.00 Paperback ISBN: 0-86140-145-X / 978-0-86140-145-1 £9.95 21.6 x 13.8 cm. Contains: George Moore's The Strike at Arlingford, The Bending of the Bough, The Coming of Gabrielle, The Passing of the Essenes; and Edward Martyn's The Heather Field, Maeve, The Tale of a Town, bibliographical checklist. -
Chosen and Introduced by Christopher Murray The fifteenth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. 21.6 x 13.8cm. Contains The Retrievers (hitherto unpublished), Professor Tim, The New Gossoon, The Passing Day, The Rugged Path, and The Summit, bibliographical checklist. George Shiels (1886-1949) was one of the most prolific and most successful playwrights in the history of the Abbey Theatre. Before his debut at the Abbey, Shiels's early work was staged by the Ulster Literary Theatre in Belfast and later on his work was taken up by the dynamic Group Theatre, also in Belfast. As a Northerner, Shiels embraced the whole island in his work, his use of dialect and his characterisation. Moreover, while his plays were broadly popular and wonderfully well suited to the acting talents of theatre companies North and South, his all-Ireland perspective lent his work a keen critical edge masked by easy realism and hilarious comedy. Nowadays, we turn to the dark comedy of a play like The Passing Day to re-adjust our view of Shiels and to see his plays as seriously concerned with the land question and issues of identity, gender and the law in post-colonial Ireland. From that perspective, The New Gossoon and in particular The Rugged Path (which in 1940 broke all previous box-office receipts at the Abbey, when the production played for an unprecedented twelve weeks, all previous plays having been limited to two) challenge us to look again at Shiels and see him as public commentator as well as consummate entertainer. -
Chosen and Introduced by S.F.Gallagher The ninth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN: 0-86140-140-9 / 978-0-86140-140-6 £35.00 Papercover ISBN: 00-86140-141-7 / 978-0-86140-141-3 £9.95 21.6 x 13.8 cm. Contains: The Au Pair Man, The Patrick Pearse Motel, Da, Summer, A Life, Kill, Bibliographical Checklist. -
Chosen and Introduced by Mary FitzGerald The third volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN: 0-86140-099-2 / 978-0-86140-99-7 £25.00 Paperback ISBN: 0-86140-100-X / 978-0-86140-100-0 £9.99 21.6 x 13.8 cm. 379 pp. 1983 Contains: The Travelling Man, Spreading the News, Kincora, Hyacinth Halvey, The Doctor in Spite of Himself, The Gaol Gate, The Rising of the Moon, Dervorgilla, The Workhouse Ward, Grania, The Golden Apple, The Story Brought by Brigit, Dave, Lady Gregory on playwriting and her plays, bibliographical checklist. -
Chosen and Introduced by Christopher Murray The first volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. ISBN: 0-86140-087-9 / 978-0-86140-087-4 £25.00 Paperback ISBN: 0-86140-088-7 / 978-0-86140-088-1 £9.95 Contains: Patriots, The Whiteheaded Boy, Crabbed Youth and Age, The Big House, Drama at Inish, Church Street, bibliographical checklist. Lennox Robinson was one of the leading playwrights of Dublin's Abbey Theatre as well as being its general manager and a director for many years. As with many other playwrights of the twentieth century, his work has been unjustly neglected, this volume, published in 1982, being the first of his plays to have appeared for over a quarter of a century. It is fitting, therefore, that this selection should be the first of a new series, Irish Drama Selections, which has sought to remedy the shortage of texts of the work of Ireland's dramatists, which with the exception of perhaps ten authors, are virtually unobtainable except in rare editions, long out of print. -
Chosen and Introduced by Robert O'Driscoll The twelfth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN; 0-86140-148-4 / 978-0-86140-148-2 £35.00 Paperback ISBN; 0-86140-149-2 / 978-0-86140-149-9 £9.95 21.6 x 13.8 cm. Contains: The King of Friday's Men, The Paddy Pedlar, The Wood of the Whispering, Daughter from over the Water, Petticoat Loose and the previously unpublished The Bachelor's Daughter, bibliographical checklist. -
Chosen and Introduced by John Barrett The eleventh volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. 21.6 x 13.8 cm. Hardcopy ISBN: 0-86140-154-9 / 978-0-86140-154-3 £30.00 Paperback ISBN: 0-86140-155-7 / 978-0-86140-155-0 £9.95 Contains: Where Stars Walk, Ill Met by Moonlight, The Mountains Look Different, The Liar, Prelude in Kasbek Street, selected writings on plays and players, bibliographical checklist. -
Chosen and Introduced by Wolfgang Zach The thirteenth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardcover ISBN: 0-86140-292-8 / 978-0-86140-292-2 £32.00 Paperback ISBN: 0-86140-293-6 / 978-0-86140-293-9 £8.95 21.6 x 13.8 cm Contains: The Turn of the Road, The Drone, Red Turf, The Troth, Phantoms, Bridgehead and Peter, bibliographical checklist. Note. Although the two articles ‘The Ulster Literary Theatre’ and ‘Meet Rutherford Mayne’ were announced as being part of this volume they were, for reasons the publisher is unable to explain, omitted from the published book. They can now be read HERE -
Chosen and Introduced by John Cronin The fifth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. ISBN: 0-86140-101-8 / 978-0-86140-101-7 Hbk £35.00 ISBN 978-0-86104-102-6 /978-0-86140-102-4 Pbk £9.95 21.6 x 13.8 cm. Contains: Mixed Marriage, Jane Clegg, John Ferguson, Boyd's Shop, Friends and Relations, prose extracts, bibliographical checklist. -
Chosen and Introduced by Richard Allen Cave The tenth volume of the Irish Drama Selections series (ISSN 0260-7962), General Editors: Joseph Ronsley and Ann Saddlemyer. Hardback ISBN: 0-86140-142-5 / 978-0-86140-142-0 £30.00 Paperback ISBN: 0-86140-143-3 / 978-0-86140-143-7 £ 8.95 21.6 x 13.8 cm. Contains: Sovereign Love, Birthright, Maurice Harte, The Briery Gap, Autumn Fire, The Pipe in the Fields, the essay ‘George Shiels, Brinsley MacNamara, Etc.’, and the previously unpublished Illumination , bibliographical checklist. -
21.6 x 13.8 cm. xx, 267 pp. 1883 Ulster Editions and Monoographs Series (ISSN 0954-3392) volume 4 The reception of Brian Friel's recent Dancing at Lughnasa confirmed his status as Ireland's leading dramatist. The body of work that he produced is outstanding in its breadth of sympathy and interest, its dramaturgical invention and its wide cultural and intellectual purview. At one level, it may be seen as a continuous examination of Irish culture and politics, committed and analytical, but not sectionally propagandist. -
Edited by Ann Saddlemyer ISBN: 978-0-86140-061-4 xxxvi, 304 pp. 21.4cm J.M.Synge died in 1909 and The Works of John M. Synge were published in four volumes by Maunsel & Co., Dublin, in 1910. Since that time, with the exception of a few minor verses and one or two fragments of prose, the canon of his work has remained unaltered. Nevertheless, much unpublished material exists, for the most part of great interest and significance for the understanding of Synge's methods of work and development. This material, including early drafts of the plays, notebooks, poems, and fragments of poetic drama, has now been thoroughly explored in order to create this definitive edition, first published by Oxford University Press 1962-68, which not only collects together all that is of significance in his printed and in his unprinted work, but also, by a careful use of worksheets and early drafts, indicates much of the process of creation. -
Edited by Alan Price paperback 21.4 cm. J.M.Synge died in 1909 and The Works of John M. Synge were published in four volumes by Maunsel & Co., Dublin, in 1910. Since that time, with the exception of a few minor verses and one or two fragments of prose, the canon of his work has remained unaltered. Nevertheless, much unpublished material exists, for the most part of great interest and significance for the understanding of Synge's methods of work and development. This material, including early drafts of the plays, notebooks, poems, and fragments of poetic drama, has now been thoroughly explored in order to create this definitive edition, first published by Oxford University Press 1962-68, which not only collects together all that is of significance in his printed and in his unprinted work, but also, by a careful use of worksheets and early drafts, indicates much of the process of creation which occurred before the production of the printed page. The Collected Works is in four volumes, under the general editorship of the late Professor Robin Skelton, of the University of Victoria, British Columbia, who began the series with his edition of the poems and translations. -
21.6 x 13.8 cm. l, 455 pp. 2006 Irish Literary Studies series (ISSN 0140-895X) volume 53 The William Carleton Summer School is one of the most important literary festivals on the island in that there are very few that make a point of studying an aspect of Ireland before the Great Famine. William Carleton (1794-1869) is the greatest author to have written about the Irish peasant and the Ireland of the period immediately preceding it: he enables the reader to think back past the Famine into the culture – particularly the peasant culture – of that time, confused, rich, tortured, bilingual, that made him as a writer.