With sepia reproductions of 24 contemporary postcards of scenes from the Rising.
The Insurrection in Dublin was first published in October 1916, barely six months after the Irish Volunteers’ Easter Rising took place. The text was never revised so that it has retained the sense of immediacy that makes it one of the classic works of the period.
James Stephens is best known as the author of The Crock of Gold and The Demi Gods as well as for his poetry, but as AE wrote in his review of this work: ‘he has the most vivid senses of any Irishman now writing. He kept a journal day by day, writing down what saw with those keen eyes of his. They are the eyes of the poet and storyteller interested a thousand times more in the character of life, in studying behaviour under abnormal circumstances, than in any other aspects of the rising.’ These qualities have kept this book recurrently in print.
John A. Murphy, who was Professor of Irish History at University College Cork, NUI, has contributed an Introduction and Afterword which set the Rising in its historial context, and assess the impact that it had on Ireland at the time and the subsequent events that led up to the foundation of the Irish Free State.
21.6 x 13.8 cm 368 pp. 1984 Volume 5 of The Modern Irish Drama, a documentary history
The Art of the Amateur, the fifth volume in the documentary history, The Modern Irish Drama, describes and documents the Irish theatre from 1916-1920, some of the most turbulent years of the emerging nation. Against the background of the Easter Rising in Dublin and its violent aftermath, and of the Great War in Europe, the authors chart how the Irish theatre coped with, mirrored, and curiously, often ignored the trauma of the times.
As the authors of The Art of the Amateur note, the theatre, especially the theatre as entertainment, flourishes in times of public horror. With the deaths of Pearse, MacDonagh, MacSwiney and Sean Connolly, the Abbey player, there was more than enough horror. If few masterpieces immediately emerged, the stage in the period covered in this volume, both public and private, was being set for the emergence of the plays of Sean O’Casey and Denis Johnston.
The Modern Irish Drama, of which The Art of the Amateur is the fifth volume, is a documentary history with transcriptions of contemporary reviews and full cast lists. As The Irish Press commented, ‘Professor Hogan and his distinguished collaborators . . . have produced a rich, fascinating and, to the drama-junkie, indispensable book on a generally neglected period of Irish theatrical history.’More info →
A Centenary Tribute, with a foreword by his children
'In the centenary clamour of 1982 and the celebrations and reconsiderations of O Conaire, Joyce, Stephens and Woolf, Colin Smythe's slim Robert Gregory . . . might easily have been overlooked. It appears, however, that the editor of Books Ireland found it beguiling – and so does this reviewer. For one thing, although it is a centenary tribute, Robert Gregory exudes grace and charm; it lends itself to appreciation rather than to contentiousness, and it convinces the reader, utterly, that Gregory, if not our 'Sidney and our perfect man', was a Renaissance figure whose early death might have been an illustration for the maxim that whom the gods love die young. . . .
'[It] is not of interest merely because of Gregory's connections with literary and artistic life, fascinating as they are. It is a montage of poetry, reminiscences and many illustrations and photographs which, though they underline the connections, ultimately serve to illuminate the man. This book is not – contrary to what the reader might think at first glance – in the least ephemeral. One wants to leaf through it again and again, so strong, and yet so evocative, is the sense of Gregory which it imparts.' Janet Madden-Simpson, in Books Ireland
24.5 x 17.5 cm. 32 pp. with 16 illus. Third edition, with extra illus. 1995
(First published by Dolmen Press in 1965, 2nd edition 1977)
In 1917 the Norman Tower at Ballylee in the West of Ireland was adopted by W.B. Yeats as his home. But the tower was much more than his residence. It became his monument and symbol. Here he conceived and wrote some of his greatest poetry, and in his inscription to commemorate its restoration he predicted the ruinous state into which the building lapsed after his death. The restoration of the Tower in the 1960s was inspired mainly by the enthusiasm of the Kiltartan Society and Mary Hanley. Liam Miller edited and extended Mrs Hanley’s text to set Yeats’s occupancy in a historical context. The illustrations include plans of the Tower, a map of the locality, photographs taken in the years when Yeats lived there, and some sketches by Lady Gregory.
The front cover illustration is of T. Sturge Moore’s design for the front cover and jacket of the first edition of The Tower (1928) as it appeared when blocked on the book.
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22.8 x 15.3 cm. 248 pp. 1880-1920 British Authors Series no. 22
Studying Oscar Wilde: History, Criticism, and Myth takes issue with many assumptions current in Wilde scholarship. It sets an engaging course in exploring Wilde’s literary reputation. In particular, Professors Guy and Small are interested in the tension between Wilde’s enduring popularity with the general reading public as a perennially witty entertainer and his status among academics as a complex, politicised writer attuned to the cultural and philosophical currents associated with modernity. Their argument focuses initially on the prominence of biographical readings of Wilde’s literary works, drawing attention to the contradictions in the ways biographers have described his life and to the problems of seeing his writing as a form of self-disclosure.
Subsequent chapters assess the usefulness of other forms of academic scholarship to understanding works that are not, on the surface, “difficult.” Here a number of commonly held views are challenged. To what extent is De Profundis autobiographical? How sophisticated is the learning exhibited in Intentions? In what ways are the society comedies “about” homosexuality? And how does The Picture of Dorian Gray relate to Wilde’s “mature” style?
The volume also examines some of Wilde’s lesser-known, unfinished works and scenarios, including The Cardinal of Avignon, La Sainte Courtisane, and A Florentine Tragedy (all printed as appendices), arguing that these “failed” works provide important insight into the reasons for Wilde’s popular success.
Since Guy and Small have authored numerous articles and books on Wilde, Studying Oscar Wilde: History, Criticism, and Myth will be a must read for scholars, but it is also written in a jargon-free language that will speak to that wider audience of readers who enjoy Oscar Wilde.
21.6 x 13.8 cm. xii, 315 pp. + 16 pp. with 19 illus. 1994 Ulster Editions & Monographs series (ISSN 0954-3392) volume 5
Strangers to that Land, subtitled ‘British Perceptions of Ireland from the Reformation to the Famine’, is a critical anthology of English, Scottish and Welsh colonists’ and travellers’ accounts of Ireland and the Irish from the sixteenth to the nineteenth centuries.
It consists exclusively of eyewitness descriptions of Ireland given by writers using the English language who had never been to Ireland before and were seeing the country for the first time. Each extract, where necessary, is set in context and briefly explained. The result is a vivid, continuous record of Ireland as defined and judged by the British over a period of four centuries.
In their general introduction the editors discuss the significance of these changing historical perceptions, as well as the impact upon them of literary conventions which played a part in shaping the emerging texts. It is argued that the relationship between Ireland and England within a British context constitutes a unique case study in the procedures of racial stereotyping and colonial representation, the exploration of cultural conflict and the aesthetics of travel writing.
There are twenty-one contemporary illustrations in this, the fifth volume in the Ulster Editions and Monographs series.
Andrew Hadfield is lecturer in Medieval and Renaissance Literature at the University of Wales, and John McVeagh is Senior Lecturer in English at the University of Ulster at Coleraine.
ISBN 0-86140350-9 xii, 316pp, 21 illus. £27.50 netMore info →
It is now over fifty years since the death of Augusta Gregory, who as a playwright, folklorist, essayist, poet, translator, editor, theatre administrator and nationalist, contributed so much and so uniquely to the realisation of modern Ireland. Yet soon after her death she seemed to be virtually forgotten, and the words on her gravestone – ‘she shall be remembered for ever’ – had a very hollow ring about them.
It has only been in the last twenty-five years that Lady Gregory’s reputation has turned round, beginning with Elizabeth Coxhead’s biography, and the subsequent appearance of the Coole Edition of her works. The publication of Mary Lou Kohfeldt's biography in 1985 and now the appearance of this volume – the first collection of essays to be devoted to her – must surely create a greater awareness of her importance as a cornerstone of the Irish Literary Revival.
Her books and plays, together with her work for the Abbey as manager, playwright, play-reader and fund-raiser, have had an influence on the literary life of Ireland in the first half of this century that has been greatly underestimated.
This collection opens with fragments of memory about Lady Gregory, and then brings together leading critics to write about various aspects of her life, her work, and her friendships with Yeats, W. S. Blunt, Sean O’Casey, John Quinn, and Douglas Hyde. There is also a checklist of her contributions to periodicals (over 180 items so far discovered), and an assessment of the work of her son, Robert Gregory.
Fragments of memory come from George Moore, The Sunday Herald (Boston), Signe Toksvig, Sean O’Casey, The Rt. Rev. Arnold Harvey, Anne Gregory, W. B. Yeats, Anne Yeats, Maire nic Shiubhlaigh, W. G. Fay, Brinsley MacNamara and Gabriel Fallon.
The contributors are Andrew E. Malone, Mary FitzGerald, Mary Lou Kohfeldt Stevenson, Brian Jenkins, James Pethica, Elizabeth Longford, Daniel J. Murphy, Gareth W. Dunleavy, Maureen Murphy, John Kelly, Richard Allen Cave, Ronald Ayling, Robert Welch, Bernard Shaw, Dan H. Laurence, Lorna D. Young, Ann Saddlemyer, Colin Smythe.
INTRODUCTION. Ann Saddlemyer and Colin Smythe
CHRONOLOGY. Colin Smythe
FRAGMENTS OF MEMORY
Pen Portraits: George Moore Sunday Herald (Boston) Signe Toksvig Sean O'Casey
The Chatelaine of Coole: The Rt. Rev. Arnold Harvey, Anne Gregory, W. B. Yeats, Anne Yeats, Sean O'Casey, W. B. Yeats
At the Abbey Theatre: Maire nic Shiubhlaigh W. G. Fay Brinsley MacNamara Gabriel Fallon
LADY GREGORY, 1852–1932. Andrew E. Malone
'PERFECTION OF THE LIFE': LADY GREGORY'S AUTOBIOGRAPHICAL WRITINGS. Mary FitzGerald
THE CLOUD OF WITNESSES. Mary Lou Kohfeldt Stevenson
THE MARRIAGE. Brian Jenkins
LADY GREGORY AND WILFRID SCAWEN BLUNT. Elizabeth Longford
'A WOMAN'S SONNETS'. Lady Gregory, with a Commentary by James Pethica
'DEAR JOHN QUINN''. Daniel J. Murphy
THE PATTERN OF THREE THREADS: THE HYDE-GREGORY FRIENDSHIP. Gareth W. Dunleavy
LADY GREGORY AND THE GAELIC LEAGUE. Maureen Murphy
LADY GREGORY AND SEAN O'CASEY: AN UNLIKELY FRIENDSHIP REVISITED. Ronald Ayling
'FRIENDSHIP IS ALL THE HOUSE I HAVE': LADY GREGORY AND W. B. YEATS. John Kelly
A LANGUAGE FOR HEALING. Robert Welch
NOTE ON LADY GREGORY'S PLAYS. Bernard Shaw, edited by Dan H. Laurence
FOUR FRENCH COMEDIES: LADY GREGORY'S TRANSLATIONS OF MOLIÈRE. Mary FitzGerald
IN RETROSPECT: LADY GREGORY'S PLAYS FIFTY YEARS LATER. Lorna D. Young
THE GLORY OF THE WORLD AND THE PEASANT MIRROR. Ann Saddlemyer
LADY GREGORY'S CONTRIBUTIONS TO PERIODICALS: A CHECKLIST. Colin Smythe
APPENDIX: ROBERT GREGORY: ARTIST AND STAGE DESIGNER. Richard Allen Cave
Notes on Contributors
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General Editors of the Coole Edition: T. R. Henn CBE and Colin Smythe
With a Foreword by T. R. Henn
Studies and Translations from the Irish, including nine plays by Douglas Hyde
22.7 x 13.8 cm. 286 pp. illus. 1974 Volume 11 of the Coole Edition of Lady Gregory's works
In Poets and Dreamers Lady Gregory has gathered together a number of essays and translations she had made from the Irish of Douglas Hyde, An Craoibhin Aoibhinn, ‘the Sweet Little Branch’, who was founder and President of the Gaelic League at the time and later to be the first President of the Republic of Ireland.
Lady Gregory has also written about other poets in this volume, notably Raftery, who was the model for Yeats’s Red Hanrahan, and also writes about West Irish ballads, and those by Jacobite and Boer and that beautiful poem by the expatriate Shemus Cartan, ‘A Sorrowful Lament for Ireland’.
Her other essays are covered by the Dreamers part of the title, ‘Mountain Theology’, ‘Herb Healing’ and ‘Workhouse Dreams’ among them. This edition contains a further five plays by Hyde, translated by Lady Gregory, three of which have not hitherto been published.
The Appendices contain a number of early versions of poems and articles and includes ‘Dreams that have no moral’ by W. B. Yeats. This has been added from his Celtic Twilight (1902) as an Appendix in order to give an example as to how Lady Gregory worked together with him in providing him with material for his volumes. Lady Gregory refers to the story in ‘Workhouse Dreams’.
The Editors have also added a quantity of her revisions and an essay, ‘Cures by Charms’, which first appeared in the Westminster Budget with two of the other essays in this volume, but which was not included in the first edition.
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Published to mark Johnston's eightieth birthday, when he was the doyen of Ireland's living playwrights, this volume brings together memories from friends and critical essays on his work and achievement by leading scholars – John Boyd, Curtis Canfield, Richard Allen Cave, Mark Culme-Seymour, Cyril Cusack, Hilton Edwards, Maurice Elliott, Harold Ferrar, Robert Hogan, Thomas Kilroy, Roger McHugh, Micheál mac Liammóir, D.E.S.Maxwell, Vivian Mercier, Christopher Murray, B.L.Reid, Joseph Ronsley and Christine St Peter – together with a checklist of Denis Johnston's writings compiled by the editor of this volume.
Included as an appendix are some recent revisions by Denis Johnston to his A Bride for the Unicorn.
List of Illustrations
AN APPRECIATION. Hilton Edwards
THE OLD LADY SAYS `NO!' Micheál MacLiammóir
THE OLD LADY: IN PRINCIPIO. Christine St Peter
WAITING FOR EMMET. D.E.S.Maxwell
A NOTE ON THE NATURE OF EXPRESSIONISM AND DENIS JOHNSTON'S PLAYS. Curtis Canfield
THE MOON IN THE YELLOW RIVER: DENIS JOHNSTON'S SHAVIANISM. Thomas Kilroy
DENIS JOHNSTON'S HORSE LAUGH. Robert Hogan
JOHNSTON, TOLLER AND EXPRESSIONISM. Richard Allen Cave
THE GOLDEN CUCKOO: `A VERY REMARKABLE BIRD'. Christopher Murray
'HE IS ALWAYS JUST ROUND THE NEXT CORNER.' DENIS JOHNSTON'S IN SEARCH OF SWIFT . Maurice Elliott
'A HUMANE AND WELL-INTENTIONED PIECE OF GALLANTRY': DENIS JOHNSTON'S THE SCYTHE AND THE SUNSET Joseph Ronsley
THE ENDLESS SEARCH. John Boyd
THE PLAYS OF DENIS JOHNSTON. Roger McHugh
DEAR DENIS! Cyril Cusack
DENIS JOHNSTON'S SPIRITUAL QUEST. Harold Ferrar
JOHNSTON IN ACADEME. B.L. Reid
WITH DENIS JOHNSTON IN THE WESTERN DESERT. Mark Culme-Seymour
PERFECTION OF THE LIFE OR OF THE WORK. Vivian Mercier
CHECKLIST-LIST OF DENIS JOHNSTON'S WRITINGS. Joseph Ronsley
APPENDIX: REVISIONS TO A BRIDE FOR THE UNICORN, ETC. Denis Johnston
Notes on Contributors
General Editors of the Coole Edition: T.R.Henn CBE and Colin Smythe
Edited by Daniel J. Murphy, with an Afterword by Colin Smythe
21.4 x 13.8 cm. frontis. t.e.g.
Lennox Robinson's selection from Lady Gregory's Journals was published in 1946. It only contained a small fraction of the total material that she typed out (editing as she did so) from her manuscript diaries. In 1964 the bulk of Lady Gregory's archives were bought by the Berg Collection of the New York Public Library, and the typescripts of her diaries, which formed part of the archive, were prepared for publication by the present editor, Daniel Murphy. The first volume of this edition, containing Books 1 to 29, was published in 1978. This second volume, containing Books 30 to 44, not only completes the typed version of her diaries (which ended in November 1930), but also adds the unedited text of the manuscript diary she kept from then until a fortnight before her death.
It describes her continuing efforts to get the Lane Pictures returned to Ireland, the passing of Coole into the hands of the Irish Forestry Department, Abbey Theatre problems, the row over Sean O'Casey's The Plough and the Stars and the break with him over its refusal of The Silver Tassie, Denis Johnston's connection with the Abbey as producer and playwright (with illuminating insights into the Abbey's refusal of The Old Lady Says 'No!’), and other controversial matters.
Plagued by rheumatism and twice operated on for cancer, Lady Gregory was nevertheless determined not to give in to old age, and she relates the daily battle with her infirmities with objectivity.
Thus, with W. B. Yeats's account of her last hours, ‘The Death of Lady Gregory’, published here for the first time, the reader is given a far more complete picture of the last years of Lady Gregory's life than has hitherto been available.
Appended to this is an Afterword by Colin Smythe which describes the problems relating to the publication of the Journals and Autobiography following Lady Gregory’s death.More info →
Paperback ISBN: 0-85105-399-8 £5.00
When the Abbey Theatre was opened in 1904 the walls of its foyer were hung with portraits by, as W. B. Yeats put it, ‘a certain Irish artist’, actually his father, John Butler Yeats. Ever since then the theatre's collection of pictures has grown and there are now over sixty pieces by several renowned painters, depicting the members of the company, many of whom have achieved worldwide fame.
In the 1940's Lennox Robinson described the pictures then on view in the old Abbey Theatre in his charming 1946 essay,Pictures in a Theatre. This text is incorporated into Michael O hAodha's description of the collection and its origins. Pictures at the Abbey has sixty-four reproductions, twenty-eight in colour, of works by John Butler Yeats, his son Jack B. Yeats, Sean O'Sullivan, William Rothenstein, Robert Gregory, AE, Augustus John and other artists.
All the works in the collection are annotated in the descriptive list which concludes the book.
Pictures at the Abbey, the first fully documented account of this important body of work, is compiled by Michael Ó hAodha, who was Chairman of the National Theatre Society and who wrote several books on the history of the Irish Theatre.
Published in association with the National Theatre Society Limited.More info →
General Editors of the Coole Edition: T.R.Henn CBE and Colin Smythe
Edited and with a Foreword by Daniel J. Murphy
21.4. x 13.8 cm. . frontis, t.e.g.
Lennox Robinson's selection from Lady Gregory's Journals was first published in 1946 as the culmination of many years' negotiations between the Trustees of Lady Gregory's Estate and her London publishers, Putnam & Co., but it was only a fraction of the material that Lady Gregory had expected would be published when she sent the typescripts over to London in 1931.
Since the publication of that small selection (which appeared in the U.S.A. in 1947), no one saw the complete typescripts until they were purchased as part of the Lady Gregory archives by the Berg Collection of the New York Public Library in 1964. After being catalogued, they were made available to scholars. Now at last, Daniel Murphy's edition is available in two volumes, the first containing Books 1 to 29 and the second Books 30 to 44.
The Journals contain fascinating accounts of Lady Gregory's efforts to get back the Lane Pictures for Ireland, the Troubles, her activities at the Abbey Theatre, her life at Coole and her determination to keep it for her grandson Richard, as well as recording her friendship with W. B. Yeats, one of the most important and influential in English literature: thus the Journals are important for social and political as well as for artistic reasons, and are a prime source for all students of the literature and history of Ireland. They also provide a remarkable insight into the life and work of a woman whom Bernard Shaw called 'one of the most remarkable theatrical talents of our time' and 'the greatest living Irishwoman'.More info →
64pp. 25.0 x 22.0 cm illus. in colour and monochrome
This book tells the fascinating history of the plans to build an innovative theatre in Samuel Beckett’s name in Oxford, the site by St Peter’s College, the designs and the problems. It is a narrative which takes in artists such as Francis Bacon and Henry Moore, famed architects Norman Foster and Richard Buckminster Fuller, politicians and royalty including Edward Heath, Richard Kennedy and Prince Charles, as well as a range of playwrights, composers, actors and directors (including Benjamin Britten, Richard Burton, Peter Hall, John Osborne, Harold Pinter, John Piper, Kathleen Raine, Sir Herbert Read, to name a few).
Beckett’s influence upon British theatre and culture is often dispersed, refracted. A Dream and its Legacies reveals a number of surprising, interwoven histories, and shows how such histories also have the power to inform, even drastically change, how we read certain of Beckett’s texts. The book includes a collection of previously unpublished letters by Samuel Beckett.
Stage 1: The Matthews Building
Stage 2: The Nuclear Submarine
What do a Henry Moore Sculpture Garden, Lawrence of Arabia's School and a Car-Park all have in Common?
Epilogue: The Oxford Samuel Beckett Theatre Trust Award and Other Repercussions
Appendix: Beckett-Warner Correspondence
In his lecture given at the Princess Grace Irish Library, Monaco, in September 1985, Professor Glanville Price surveys relations between Ireland and the other Celtic nations from prehistoric times to the late twentieth century. The lecture is supplemented by an up-to-date bibliography of some 500 items compiled by Morfydd E.Owen that will serve as an introduction to the study of such fields as the archaeology, history and art of the ancient Celts and the history, languages, literature and folklore of the modern Celtic nations (Ireland, Scotland, the Isle of Man, Wales, Cornwall and Brittany).More info →
Illustrated by Joyce Dennys.
With a prefatory note by Maurice Collis
19.0 x 13.5 cm. 128 pp. 1978 (reduced facsimile of first 1970 hardcover edition)
Lady Gregory was the cornerstone of the Irish Literary Revival in the first quarter of the century. At Coole Park in Co. Galway she was host to many literary figures and painters of the time: W. B. Yeats of course, J. M. Synge, Bernard Shaw, Douglas Hyde, A. E. (George W. Russell), Sean O'Casey, John Masefield, George Moore, and among the painters, J. B. Yeats the elder, Jack B. Yeats and Augustus John.
As well as spending a large part of her time as hostess of Coole, being a prolific author and playwright, a Director of the Abbey Theatre, the chief campaigner for the return of the Lane Pictures to Dublin, and an excellent landlord, she is remembered as a great personality.
This book is written by one of her grandchildren, Anne, who, with her brother and sister, was born and brought up at Coole, and in it she gives a new dimension to what we know of Lady Gregory and her guests.
As Maurice Collis writes in his Prefatory Note, ‘The narrative is Anne Gregory's recollection of what living at Coole with her grandmother was like. Her account is very cleverly constructed. The stature of Lady Gregory is subtly increased. She was a wonderful woman and a wonderful grandmother.’
'One of the most delightful books I have ever read ... a truly lovable book.' Gabriel Fallon in The Evening Press
'A charming book and Joyce Dennys's pictures are a delight.’ The Spectator
‘a MUST for children of ALL ages.' Sunday Independent
‘The book shows us the great through a child's eyes, skilfully, wittily, and sometimes surprisingly.' British Book News
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Selected Prose & Related Documents
336 pp. 23.4 x 13.5 cm illus. in colour and monochrome
Poet of the Second World War and peacetime dramatist, Francis Warner was 75 this year (2012). This, the first selection from his prose, gives readers of his work some indication of the historical and intellectual background from which his poetry has sprung: of 'the giant race before the flood' who lived on to help shape Britain's post-war imagination.
Starting with memories of the Blitz and his poem 'Blitz Requiem', Warner recalls his schooldays at Christ's Hospital, Horsham, recovering from six years of war, and the role played by music.
He writes of his friends: 'Henry Chadwick: Musician', Kathleen Raine as fellow poet, C. S. Lewis and the Psalms, Henry Moore, Francis Bacon, Edmond Blunden, and Samuel Beckett, reproducing the manuscripts off two short plays Beckett discussed with and gave to him. Other subjects include W. B. Yeats, Benjamin Britten and the Japanese Noh plays, Samuel Palmer as poet, and Hugh Wybrew's Liturgical Texts of the Orthodox Church.
The book concludes with 'Francis Warner as Musician in Performance' an illustrative CD with music by Honegger, Vaughan Williams, and Warner's collaborator the composer and organist David Goode: and Stephen Cleobury conducting the Choir of King's College Cambridge singing one of their anthems.
Francis Warner DLitt, Hon. DMus, is Emeritus Fellow of St Peter's College, Oxford, and Honorary Fellow of St Catharine's College, Cambridge.
Armageddon and Faith: a Survivor's Meditation on the Blitz, 1940-45
Remembrance Sunday Sermon, King's College Chapel, Cambridge, 2011
Four War Sonnets
Christ's Hospital Three and Sixty Years Ago
Henry Chadwick: Musician
The Song that is Christmas
A Cambridge Friendship: Kathleen Raine and Francis Warner
C. S. Lewis and the Revision of the Psalter
A Blessing on C. S. Lewis's home in Oxford, The Kilns
Foreword to Hugh Wybrew: Liturgical Texts of the Orthodox Church
The Bones and the Flesh: Henry Moore and Francis Bacon
Samuel Palmer's Poem 'The Sorceress'
James Joyce's Poetry
J. M. Synge's Poetry
Edmund Blunden's Pastoral Poetry
Richard Wall's rondeau cycle In Aliquot Parts
Japanese Noh plays and W. B. Yeats, Benjamin Britten and Samuel Beckett
Manuscript of Beckett's Breath
The Absence of Nationalism in the Work of Samuel Beckett
Manuscript of Beckett's Sans, and covering Letter
A Cup of Coffee in Paris, by Penelope Warner
Francis Warner as a Musician in the1950s, by Bernard Martin
Compact disc: Francis Warner as Musician in Performance
Anthem for Christ the King
20.9 x 14.9 cm. viii, 143 pp. illustrated with photographs and maps 1992
Published by the Portobello Press, the author's own press.
Valentia is in south west Kerry, next parish America. In the 19th century it was very different from other west coast islands because it had three major industries: fishing, slate-quarrying, and communications. These blended to form a unique social mix. As well as farmers and fishermen, the island had quarrymen, engineers, cable technicians, radio officers, meteorological staff, and a resident landlord, the Knight of Kerry. Valentia, a Different Irish Island is an account of their lives.
Nellie O'Cleirigh is also author of Carrickmacross Lace and, with Veronica Rowe, Limerick Lace, both published by Colin Smythe Ltd.
20.6 x 22.1 cm 335 pp. 80 colour and 220 b/w illus. 1994
'The Book of Aran is a handsomely produced and generously illustrated update on Aran as seen by the multi-faceted eye of scholarship." Irish Times
'The Book of Aran has managed to convey some of the magic, isolation and cultural richness that island communities often have.' Irish Press
'The book is beautifully produced and the text achieves that happy state of being scholarly while eminently readable. The selection of pictures is superb. At the very least, the book is a minor publishing triumph. Don't even contemplate going to Aran without it." Evening Press
Over the centuries many people have felt the attraction of the landscape of the Aran Islands, with its impressive monuments that go back thousands of years, its distinctive culture that offers glimpses of a rich and distinctive pattern of life and a people whose island isolation forged a sense of independence and endurance. The Book of Aran is the first publication to deal with all the many different aspects of the three islands of Inis Mór, Inis Meáin and Inis Oírr, including the natural environment, archaeology and history and the cultural heritage of the islands. It is aimed at the general reader who wants to gain a deeper understanding of one of the most intriguing landscapes in Europe.
Contributors: John Feehan, Cilian Roden, Michael O'Connell, Gordon D'Arcy, J.W. O'Connell, John Waddell, Paul Walsh, John de Courcy Ireland, Anne O'Dowd, Dara Ó Conoala, Pádraigín Clancy, Lelia Doolan, James Duran, Anne Korff, Joe McMahon, Patrick F. Sheeran and Pádraig Standún.
x, 252pp. 21.6cm
For decades, commentators on nineteenth-century Irish literature or history have routinely mentioned the significance of the Dublin University Magazine. Published monthly from January 1833 to December 1877, the DUM attracted as its contributors – and in several cases its editors – nearly every major Irish writer from this period. Prior to the publication of this work, however, there has been no systematic, book-length discussion of the magazine’s entire career.
In this study, Wayne Hall traces the dual nature of the magazine, its attention to both England and Ireland, which helps us to understand the sometimes guilty and reluctant, sometimes celebratory and passionate, union of these different cultural traditions and values. The DUM expressed a complex brand of Irish national identity that defines itself partly in cultural and partly in political terms.
In seeking its own balance between excluding and including, between culture and politics, the DUM developed one main pattern in its pages: the magazine’s political commentary stakes out the ideological ground with varying degrees of rigidity and exclusivity, while its literary contributions expand the magazine’s total scope to embrace a much wider and more generous vision of ‘Irishness’.
Within the terms and tensions of the journalistic dialogue, then, readers can see the political and the literary values jostling against each other. The magazine serves as a detailed and thorough record of conservative political thought in the nineteenth century, and also shows that Irish political events have drawn much of their shape from the literature, even as that literature was being shaped in turn by politics.
Wayne E. Hall is an associate dean at the McMicken College of Arts & Sciences at the University of Cincinnati, as well as a faculty member of the Department of English and Comparative Literature. His previous book was Shadowy Heroes: Irish Literature in the 1890s.
19.0 x 15.5 cm.
Women of Ireland, the first comprehensive biographic dictionary of its kind, documents the rich and varied contributions woomen have made to the shaping of Irish history and culture. The book includes biographies of Irish women from earliest times up to the present, many of them ignored by historians until now. With its wealth of information, its accessible style and the attractive selection of illustrations, this reference work will serve general readers as well as students, particuarly those interested in history and women's studies.More info →